Tony Montana: What about that job we did for you in Freedom Town? The Rebenga hit... What was that? A game of dominoes, mang?
Maria: Gretl, what happened to your finger? Gretl: It got caught. Maria: Caught in what? Gretl: Friedrich's teeth.
Franky Four Fingers: So... what do you want for it? Boris 'The Blade' Yurinov: Nothing. Franky Four Fingers: OK... so, what do you want for it?
Lina: What's wrong with the way I talk? What's the big idea? Am I dumb or something?
Dr. Lawrence Gordon: What's your name? Adam: My name is Very Fucking Confused; what's your name?
Tanya: He was some kind of a man. What does it matter what you say about people?
The Judge: Deciding what is true and what isn't now seems to me...a lack of modesty. Valentine: Vanity? The Judge: Vanity.
Ernst: [scolding an employee] I don't care what you *meant* to do- it's what you *did* that I don't like!
Paymaster: [scolding an employee] I don't care what you *meant* to do- it's what you *did* that I don't like!
President McKenna: What is that? William Stryker: A jet. President McKenna: What kind of jet? William Stryker: We don't know-but it comes out of the basketball court.
Paul Avery: What's your angle, here? This is good business for everyone but you. Robert Graysmith: What do you mean, "angle"?
I always thought the real violence in Hollywood isn't what's on the screen. It's what you have to do to raise the money.
You never talk about what you want when giving money. I don't pay attention to what other people think... There shouldn't be restrictions of any kind on political contributions.
I have always stuck to my guns about what I want from the work and what interests me. I've never been seduced down the evil path. The path of taking the money.
I don't look at what people do with their homes in terms of money, but the social and personal value of what they're trying to do and achieve.
In return, society rewards those who give it what it wants. That is why how much money people have earned is a rough measure of how much they gave society what it wanted.
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
I started studying what the nature of a monument is and what a monument should be. And for the World War III memorial I designed a futile, almost terrifying passage that ends nowhere.
It is insight into human nature that is the key to the communicator's skill. For whereas the writer is concerned with what he puts into his writings, the communicator is concerned with what the reader gets out of it. He therefore becomes a student of...
Always remember the first rule of power tactics; power is not only what you have but what the enemy thinks you have.
What then do you call your soul? What idea have you of it? You cannot of yourselves, without revelation, admit the existence within you of anything but a power unknown to you of feeling and thinking.
