I wrote a script. I actually enjoyed writing it more than acting. It's about the Irish rebellion of 1920, which is a fascinating period and place for me.
Because you´re not a one night girl Irish.' Leaning in to place a kiss on my jawline he whispers, 'You're my forever girl.
The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
The last dog I had was an Irish wolfhound - now that is a dog. Rather spoils a person for a lesser canine, that is, anything under a hundredweight.
I'm Irish, so I'm used to odd stews. I can take it. Just throw a lot of carrots and onions in there and I'll call it dinner.
I have drawn inspiration from the Marine Corps, the Jewish struggle in Palestine and Israel, and the Irish.
My father is Chinese, Spanish, and Filipino; my mother is half-Irish and half-Japanese; Greek last name; born in Hawaii, raised in Germany.
There are hundreds of thousands of Scots who acknowledge English, Irish or Welsh parts of their very being. Lives and destinies are similarly intertwined in Catalonia and Spain, in Ukraine and Russia.
Finally, Colin Farrell showed up on my doorstep, only he wasn't Colin Farrell - he was just this Irish kid who had read the script and wanted to do it.
In old times people used to try and square the circle; now they try and devise schemes for satisfying the Irish nation.
I try to attack all races and creeds, except the Irish. Clearly they are closest to the angels and don't deserve abuse. But the others have it coming.
I come from an Irish working-class background but went to a posh school, and any type of pretension was quickly mocked at home. I've always had a keen eye for pretension.
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
My family calls me Declan. But most people call me E.C. I think it comes from my dad. It's an Irish convention. You usually call the first child by the initials.
I basically have the diet of a 19th-century Irish navy, apart from the litre of stout a day. It's meat and potatoes and bread and cheese: those are my four food groups.
My first thought when I came here was that I understood why there are so many great Irish writers - because there is something mystical in the air. There's always this cloudy, moody sky and it's challenging.
As far as Irish writers being great, I think the fact that there have been two languages in Ireland for a very long time; there has obviously been a shared energy between those two languages.
Humor has historically been tied to the mores of the day. The Yellow Kid was predicated on what people thought was funny about the immigrant Irish. When you're different in a society, you're funny.
I love my heritage! I have my mother, who is an Irish-Italian, and my father who is African, so I have the taste buds of an Italian and the spice of an African.
I'm crazy about Dublin. If you went back 3,000 years in my ancestry you wouldn't find a drop of Irish blood in the veins, but I love the place.
When anyone asks me about the Irish character, I say look at the trees. Maimed, stark and misshapen, but ferociously tenacious.
