And today more than ever, knowing about that society involves first of all choosing what approach the inquiry will take, and that necessarily means choosing how society can answer.
I've always wanted to work with dogs, so in high school, I worked at the Humane Society for a little while. I honestly think, even today, that would be the other career I would go into. Somehow I would be involved with animals.
Most of the time, criticism that takes pop culture seriously involves performing some kind of symbolic analysis, decoding the work to demonstrate the way it represents some other aspect of society.
Since this war began our sympathy has gone out to all the suffering people who have been dragged into it. Further hundreds of millions have become involved since I spoke at Limerick fortnight ago.
While there have been terrific advances in the state of technology around heuristics, behavior blocking, and things like that, technology is only a part of the approach to solving the problem with the more important aspect involving putting the right...
The characters I'm most emotionally involved with are like friends you leave behind when you move away. You don't see them regularly anymore, but you still love them and keep in touch.
I love inventing interesting people and then pushing them to their absolute limits - and usually those absolute limits involve homicidal faeries, werewolves, or some other paranormal menace.
I have several businesses that revolve around fighting: the training centres, the clothing line and all that stuff. I'll probably be involved in the sport in some way shape or form, and I'll continue to train and be active and do the things that I lo...
I'd always wanted to work in the studio and experiment with sounds. Things that I'm really influenced by and that I love are like The Beatles and Radiohead, and all those records by bands whose music is really involved.
Yes, I've been in love, but I guess I'm too involved with myself and my work. I think I'm in love with my work, and I'm in love with the people I work with.
My parents were political, so it's definitely in my bones. Wherever I am, I always seem to get involved with politics. I think, once it's in your bloodstream, it's always there. I love it.
Acting is a sport - especially working with Mark Rylance. There is competition involved. I have to be muscular, challenging, get audiences on side. It's extraordinary how Globe audiences join in - it's like competing at an event - I love it.
In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
I thought that I would like to be affiliated with some school or institution. As time went on, I also decided on the subject that I wanted to get involved with in addition to music: it was Black Studies.
I have to be involved. Whether it's me writing by myself or with other people, I definitely want to have my hand in the creative process. That's part of why I got into music in the first place.
I would like to think that Ben and myself have begun a partnership that will take us into different areas of music that we can continue to write, enjoy and keep me involved with music other then what I do with RUSH.
I would like to involve myself in some black music. I would like to do some blues and some gospel music. I want to try stuff from other genres and try to widen my musical base.
One can't deny what has happened to us in the past. The secret is to enjoy and be proud of the music we've created and the people with whom we have been linked. It's all a long chain of involvement in the world, and we are proud to be yet another lin...
There was a time when I was fighting with the decision as to whether or not a Hasidic man could go out and have a music career in the world and be involved in pop culture. For me, I was able to bring those two things together for quite some time.
You can see it on the Internet: There's an argument going on continually about, 'What is folk music?' And I don't really want to get involved in that. It's an endless argument, a 'How many angels can dance on the head of a pin?' kind of argument.
For me, writing a song, I sit down and the process doesn't really involve me thinking about the demographic of people I'm trying to hit or who I want to be able to relate to the song or what genre of music it falls under.
