When I interview people accused of capital offenses, I never even ask if they did it. I would consider that unprofessional.
I'm very quiet. I can go a whole week without talking, so doing interviews is really awkward for me!
I don't mind anyone asking me any questions, I've got nothing to hide. I like it to be as real as it is, that's what I call an interview.
I tell my students that if you have enough preparation, you can handle the big interviews. You won't be intimidated.
I almost never give interviews. It's not because I want to play hard to get. It's just that I never seem to have anything interesting to say.
The challenge of directing and interviewing helped me with confidence, and I learnt so much. If I hadn't had the brain hemorrhage, I might never have done it.
I think it's a problem when journalists have the title of their article before they do the interview, because it biases the way they conduct it.
Interviews are usually a follow-up, like a press junket or a publicity junket, or something like that, and I'm not doing any of that right now. I don't have any axes to grind.
There needs to be a planned series of speeches, interviews, etc., over the next two or three months by administration officials and other public figures talking about President Ford, what he is trying to do and what he has accomplished.
There are times in my career where I can see it would be helped by having a bit more of a profile, but it's not like I refuse to do interviews, no, not at all.
As you probably know, I've written a lot about the presidency, so it's obviously exciting when you get to interview a president and write about it.
I couldn't be touring unless my husband was on the road with me, taking care of our son while I'm onstage and doing interviews.
I really do see that anywhere I am, whether it's doing interviews a hundred in a row, that every situation I'm in, I'm at choice in the matter.
I started doing some interviews with elderly people in the family because I knew they would pass away and we would lose the power of their story.
In every interview I've got to explain something about being white but still being into hip hop. It's gone way beyond the musical aspect of the business. And I'm as critical about music as everybody else is.
As critical acclaim and response has built up, every interview I give is a chance to puncture the myth I've created about my work and refine it.
I will interview bigwigs if I get the chance, but you are seldom surprised by people in power - you've got to get awfully damn close to get anything new.
I do interviews because it's a chance to be myself. I sometimes wonder what I could have to say that would be of any interest. I don't have any great wisdom.
We wanted to interview people on the show, do variety, get the artists, the guests involved with us in our group. They wanted to keep the four guys together. We wanted to change the format.
I was terrible at interviews, lost in my own loss of identity and struggling at home as a wife and mother. It was a household that preferred me working, which threw me off completely.
I treat the photograph as a work of great complexity in which you can find drama. Add to that a careful composition of landscapes, live photography, the right music and interviews with people, and it becomes a style.
