My body can't demonstrate. It isn't willing to explore movements the way it used to. I've always had to find the movement in myself then show it in myself. If I've got the sense of movement for the character, I expect the dancer to get it too.
I can't say too much about it because I don't know a lot. We're not told what's in store for our characters until we turn up to shoot the episode. But it's fair to say that Betty and her son bring a brand new mystery to the street and they will be ar...
As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
Life just gets better when enthusiasm befriends inspiration and turns the mundane into a chemistry of excitement. Whether by the grace of god, character or determination, it seems that these budding whim's of excitement come as friends, to impart a l...
The decision to work with Marvel for a while isn't any sort of denigration of DC. I had a fantastic time there, I was treated extremely well, I have strong positive feelings about all of my editors and the DC universe of characters, and I look forwar...
If there is a reason I'm able to make unsympathetic characters human, it's because it's my desire to find what drives the unsympathetic behavior. Almost always at the bottom of it is some deep insecurity. Putting your finger on what each individual's...
Probably every book I read influenced me in some small way. Authors like Jan Westcott, Kathleen Winsor, Catherine Cookson, Georgette Heyer, and even Barbara Cartland taught me to write character-driven stories.
I loved Old School. I thought Old School was very different than a lot of the comedies that had come out. And that character I liked. I tried to ground him very much in reality and play him very much finding things important to him that are somewhat ...
nothing would be more fatal than for the Government of States to get in the hands of experts. Expert knowledge is limited knowledge, and the unlimited ignorance of the plain man who knows where it hurts is a safer guide than any rigorous direction of...
But things such as 'Harry Potter', all I can do is shape my character, seek the director's approval on that, and basically take it from there. Professor Flitwick in 'Harry Potter', I kind of defined how I saw him from reading the book, and luckily th...
Most writers deserve the reputation posterity has bestowed upon them: You can’t for long conceal the toxic spots on your character—Philip Larkin is Exhibit A—nor can you conceal your dignity, your humanism, your regard for veracity and freedom.
I wrapped a movie called 'Zombieland,' in which I was constantly under assault by zombies, then flew to New York, still very much in character. With my daughter at the airport I was startled by a paparazzo, who I quite understandably mistook for a zo...
During shooting, you have the idea, like, of this certain dress on this actress, but it's not to fit, so you have to make all of these alterations and modifications. So in a way, I build the characters with the cast, and it's sort of custom-made, the...
Part of the pleasure has to do with a sense of efficiency, of materials exactly allocated and completely used. Another part has to do with a sense of inevitability, the feeling that someone knew where we were headed all along, even if we and the char...
Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desi...
How can we judge fairly of the characters and merits of men, of the wisdom or folly of actions, unless we have . . . an accurate knowledge of all particulars, so that we may live as it were in the times, and among the persons, of whom we read, see wi...
I'm a big believer in the notion that our greatest potential lies in our darkest parts. To a certain extent it's only in facing those parts of ourselves that we can truly grow, and I think that's true of all of the characters I've played, certainly i...
I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
I don't understand labels. I don't need anybody to tell me I'm Latina or black or anything else. I've played characters that were written for Caucasian females, I just want to be given the same consideration as everybody else, and so far that has bee...
We shot some stuff for 'Sex and the City' on the street outside of Tiffany's, which was always crazy. We were doing something where Charlotte and my character were looking at wedding things. We were trying to do it really underground, guerrilla filmm...
