I've always liked the downtrodden character on different shows. Before 'Parks,' I loved the Toby character on 'The Office.' I do like playing that type of thing.
The day people around me stop questioning my character is the day my character begins to grow vulnerable.
We don’t read to observe the character from a distance. We read to become the character and experience the conflicts and rewards they are experiencing.
Character and Plot...Character and Plot Some writers have it and some do not This I'll tell you Brother You can't have one without the other
What a director really does is set the emotional temperature and the mood and the level, amount, or lack of, distance between the action and the character, and the character and the audience.
Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.
I look at characters to see if they have some contrasts to play with; I think that's always what I'm looking for in characters: ones that have a wide range of expression.
I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context.
It's true I have a hard time with the notion of creating a character. And I feel it's a limit. I'm always really impressed by actors who are able to construct a character, like Johnny Depp.
On 'Swingtown,' I think that's when I was able to blend the character-slash-leading lady roles, and that's what I'm doing on 'Once Upon a Time' as well. She's a leading lady, but she's also this character.
'The Walking Dead' never wants you to get too comfortable with characters and cast members. I think about the time you feel fairly secure with your appreciation of a character is about the time the show will gut-punch you.
If it's time for your character to go, it's time for your character to go - you know what I mean? That's it. It doesn't matter who you are.
I like characters with character, not just pretty faces. Anyway, I think people can be both grotesque and beautiful at the same time. Look at Mick Jagger in the seventies. Look at Angelina Jolie.
There's a lot about the character. It doesn't always happen, but there are some characters you really create a relationship with, almost as if they were your friend. And you never get into their heads again or think like them.
I get to play characters that kind of shock people and I enjoy doing that. I like characters that have meaning and get people in the heart. I want to be able to get people to cry or make people angry or sad.
I love the idea that somebody is going to compare me to my character or think that I am like my character when they see me. I feel like that is a role that I am willing to fulfill.
One character I always thought I could play is the Thing from 'Fantastic Four.' Another character I've always loved as a fan is Colossus. If there was a way to make that happen that worked, I would love to be Colossus.
I was worried for a while that it was some sort of reflection of me that all I seemed to be getting were these characters that were a tad bit loony. But I love it. Those are the most fun characters to play!
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
'True Blood' differs from 'Six Feet Under' in that there are way more characters and plot-lines, but fundamentally it's still about the characters and their emotions.
I think it's very important to write a demythologized woman character. My characters are flawed. They are no better than they should be.
