If you're doing television, you get to be a character for a long time, and the cast around you becomes like family. You get attached to playing that one character, and it's hard leaving them behind.
The chance to play a romantic character who kisses somebody onscreen was one of the elements that made me want to do 'The Stand.' The more you can do, the better, and I've been known as a character actor.
It's a great challenge to get to play a real-life character. Every actor would love to get a chance, at least once in his life, to play a real-life character.
51st State was one that I loved doing because the character was so out there, and in a way I was sad to leave the character behind. I'm afraid I could never be that cool in real life!
I had the sets that meant so much to this character built - right in my home, especially the kitchen, which was important both for her character and for your introduction to her when Albert comes to visit.
I just want to play strong characters, whatever that is in. For me, television is where it's at. You get to play a character for a long period of time, and you get to dig deep. It's a home to go to.
The bedrock of 'Being Human' has to be characters. I would hope that even if suddenly we had a huge budget per episode, the foundation of the show, and the thing that actually makes it what it is, is character.
The characters are whole, real people to me that I'm getting to know, and since real people are all flawed, so are my characters, I hope.
All I try to do is as earnestly and as acutely as I can, conceive a character and try to portray this character just honestly. If the humor is within the absurdity and the awfulness of situations, then let it be seen that way.
The German national character is a favorite subject of character experts, probably because the less mature a nation, the more she is an object of criticism and not of history.
I don't shoot two films at the same time. I finish one character and get into another character because I change my look for every film. It's difficult, but I enjoy doing that.
My dad said that if it's part of the character, I'm allowed to say bad words, but if it's not part of the character, and I say it at home when I'm not acting, that I won't be acting anymore.
Heart and head are the constituent parts of character; temperament has almost nothing to do with it, and, therefore, character is dependent upon education, and is susceptible of being corrected and improved.
I love playing really strung out characters, and characters that are really pushed to their limits and losing their mind. I think that's wonderful. To be able to lose it, in many ways, is just great fun to do.
Strong female characters - even if they don't necessarily make the same decisions that we might - make such great narrative material, especially when there's an equally strong male character in the mix.
When you're doing lots and lots of episodes and you're playing the same character, it's great because you really get to know the character and it becomes a really fast style and you find subtleties in it.
I'm a great believer in the character of a club. To me, character has a lot to do with how you compete. That creates urgency and toughness. That elevates the talent that you have.
The notion that public service requires men and women of good character now seems quaint.
Then I got the offer to play Buck Rogers, but I turned it down thinking it was a cartoon character. Well I was wrong, it wasn't at all. So I read the script and decided I liked the character, it had a good concept.
All of the characters in my films, they share one commonality. It doesn't matter whether they are good or bad, it doesn't matter whether they are smart or stupid, these characters all take responsibility for their own behavior. I'm much the same.
I have agreed to lend my voice to Nature's Guard, an animated series which hopefully will go into production in the near future. The characters are all animals. My voice will be for a character named Longtail.
