Why should anyone be interested in my life? It's the prurience I find so extraordinary. Why, why, oh why should my private life be of any interest to the public? The only people who should be interested are my friends.
My children are the thing that make life work because, you know, I screwed up my life, and I know it was me, and it was really hard because it was so public, and that was very, very hard.
There was a moth in there, and it still had its wings crumpled up, and it was just starting to pump its wings up. Life continues in lots of places, and life is a magical thing.
I grew up with 'Life' magazine on the coffee table, Life cereal on the breakfast table, and the game of Life on the card table. People were just so happy to be alive, I guess.
Many times I sit back and say, 'I can't believe that this is my life!' Other times, I feel self-satisfied. I mean, there's a lot to be proud and thankful for but, nonetheless, it's just a life!
I'm grateful that on a lot of casts I've gained friends for life. But it's more of a rare thing than a normal thing. I have a small group of friends, and I just, uh, feel fulfilled by the people that are in my life.
Quality of life is very important in France. I have many friends who turned down promotions and more money because it would affect their quality of life as a couple or a mother.
At 30 I thought my life was over. I thought I'd have made something of myself by then, that life would somehow have made the necessary arrangements - but actually I had nothing.
I never make a distinction between private life and politics - that's a petit bourgeois thing. How can you make a stand against Nazi Germany, or in Rwanda, when you live life by making that distinction?
As I look back over my life, before I had any real identity, I was a traveler. I grew up an Army brat, a runaway, an activist, and a musician. All my life I've been traveling.
Acting is always at the core of my life, but I'm also excited about producing. I'm excited about directing, and I have a life in the filmmaking world, and so I want to explore all aspects of it, not just the acting, but acting is the root.
I don't have anything interesting to conceal or reveal in my private life, and it is really only my work and professional life that I want to talk about.
In India, there's a way of seeing life as a cosmic play. It's called Lila. I can watch my life, and I can see my guru playing with me.
When I was a teenager in Milwaukee in the 1980s, life was pretty boring, and I found myself riveted by the sheer melodrama of everyday life of the 1960s.
No matter how much we try to run away from this thirst for the answer to life, for the meaning of life, the intensity only gets stronger and stronger. We cannot escape these spiritual hungers.
There was a combination of not wanting to look a gift horse in the mouth, but also really not wanting to be stuck in Lord of the Rings for the rest of my life, and being desperate to kind of make sure that I could do something else with my life.
I have definitely had experiences where I can feel the shift from simply living my life to being slightly outside of my life and taking notes.
Acting can be a very reactive profession. Acting is a fantastic thing, and it's my life, but writing is also part of me too, so I did it, and in so doing, took responsibility for my own life.
I've told lots of lies in my life. I try not to lie, but I still do. It's very difficult to get to 37 and not be ashamed of something you've done. But I think your life is easier, ultimately, if you're honest.
You can't embrace your whole life if you're shut down. I found out that I can't just run away and shut down. I'm losing the rest of my life doing that.
It's so disappointing, to put it mildly, that people know so much about my life. Because it means that they're always trying to look at my books in terms of my life.
