The awareness begins with a feeling of restlessness—an inner urging to find more meaning in life. As we respond to this inner prompting we begin to notice the “chance coincidences”—strange synchronistic events in our life. We begin to realize...
Who's to say what's a good voice and not a good voice?
It is also true that memory sometimes comes to him as a voice. It is a voice that speaks inside him, and it is not necessarily his own. It speaks to him in the way a voice might tell stories to a child, and yet at times this voice makes fun of him, o...
Silence is the voice of complicity.
How nice the human voice is when it isn't singing.
What sort of an imaginary voice is that? I asked myself, suppose Columbus had heard an imaginary voice telling him to sail west. And because of it he had discovered the New World and changed human history... We would be hard put to defend the use of ...
I have learned that we may change the very nature of our thoughts, by changing the tone of voice we are thinking in! No one has ever paid attention to what tone of voice they are speaking in, during the time that their words are going on in their hea...
Voice in the night A voice whispered to me last night: 'There is no such thing as a voice whispering in the night!
If that voice that you created that is most alive in the poem isn't carried throughout the whole poem, then I destroy where it's not there, and I reconstruct it so that that voice is the dominant voice in the poem.
First of all, you have to understand that I'm like anybody else. When I hear my voice on a record I absolutely loathe my voice. I cannot stand my voice.
Discerning the will of God is a very tricky thing, partly because, you know, the little voice in my head can either be God's voice or it can be my own ego doing a magnificent impression of God's voice.
It was interesting doing impressions as somebody else doing impressions. Normally, I'll do a voice, and it's me doing the voice. To have to be Robin Williams doing the voice was an interesting sort of study in getting into somebody's head.
Garbage. It's a natural quality of huskiness in the midrange of my voice that I call 'garbage.' It's not a clear-toned announcer's voice. It's more like the voice of the guy next door.
I believe that poems are a score for performance by the reader, and that you become the speaking voice. You don't read or overhear the voice in the poem - you are the voice in the poem.
When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.
Tracy Lord: [normal voice] Hello, Dexter. [lower voice] Tracy Lord: Hello, George. [high childish voice] Tracy Lord: Hello, Mike.
I had a moment where I realised I could do silly voices, that lots of people I knew couldn't do silly voices, and that thus I must be able to make money doing silly voices.
I have no inner monologue.
I was a bit of a sleeper-inner.
The written word has its limits and its challenges, for the primal sound in the whole world is that made by the human voice, and the likeness of this human voice must be rendered in dots and strokes...Yet I never forget that the voice, too, is import...
It's a heady aphrodisiac being exposed to his unique voice when he adopts that tone. His voice reverbs on a bunch of notes simultaneously. It's the first thing you notice about Ryan, his voice sounds like an orchestra playing a symphony composed by a...
