Indie world won't have me, and mainstream world treats me like an alien, but here I am still floating between these two worlds.
It's just interesting that people don't really know about the roles that I play that are darker. I kind of do a huge blend of really big light things but also really dark indie things, and it just sort of happens to work out that way.
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
If anybody studying psychology wants a concrete example of what a narcissist looks like, I advise them to consider any man who cheats on his wife. These guys are the textbook me-firsters, the ones who think the rules don't apply to them, the ones who...
You don't always just have to do an indie movie to feel like you're controlling it with a few people that you really have connected with, creatively. You can do it on a bigger scale.
The pirating thing is bad. The people it hurts the most are the ones you least think it hurts. It's not the big Britney Spears albums that are being pirated; it's the indie bands that don't have two cents to their name.
In the old days, a TV sync was perceived as not so cool or whittling away at your indie cred. Now it's seen as much more of an opportunity than a sellout, as a way to find fans who wouldn't have ordinarily come across their genre of music.
I put on the Hank Williams and the Patsy Cline and the Rosemary Clooney on vinyl - I'm not trying to be some cool indie-rock person, I just love the way it sounds - and throw on a T-shirt and jeans. In Texas, we practically come out of the womb in je...
There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
You don't get a mix of ovals and road/street course racing with this level of competition and speed anywhere other than Indy Car, and I think that's why it has remained a popular choice for so many young drivers.
A guy came to the shop every day. A lot of guys put the foam like stuff that forms to you, kinda like the Indy car guys run. He fitted it up and it felt real good, so we're going to try to run it.
Publishing, legacy or indie, is a vehicle, and you can't opine about whether someone has chosen the right vehicle if you don't know where she intends to drive it.
Obviously it's critical that the three cars are able to contribute to the program. I think that certainly has given much of the reason as to why we did so well at Indy over the last several years.
I think, honestly, that the word 'indie' is a false gimmick. 'Independent' used to mean a movie that was financed outside corporate Hollywood, but a lot of what gets called independent these days is totally produced within that system. And there's no...
First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan.
[Indy has untied a boat as a diversion for the Nazis] Indiana Jones: Come on, Dad! Come on! Professor Henry Jones: What about the boat? We're not going on the boat?
Indiana Jones: [of Indy's new lover] How did you know she was a Nazi? Professor Henry Jones: She talks in her sleep.
[Elsa has helped Vogal capture Indy and his father] Indiana Jones: She ransacked her own room, and I fell for it!
Sallah: Indy, there is something that troubles me. Indiana: What is it? Sallah: The Ark. If it is there, at Tanis, then it is something that man was not meant to disturb. Death has always surrounded it. It is not of this earth.
Sallah: Indy, you have no time. If you still want the ark, it is being loaded onto a truck for Cairo. Indiana: Truck? What truck?
1st Mechanic: [to Indy, in German] Hey, thin man! Come here! Come here! Come here! Come on, fight! Boy, come down! Down now!
