[Indy and his father have stolen a plane from the airship, and are now being chased by German fighters] Indiana Jones: Dad, you're going to have to use the machine gun. Get it ready! [Henry turns around and gets the gun ready] Indiana Jones: [spottin...
[Elsa picks up the Grail and attempts to leave the Temple with it] Elsa: We have got it, come on! Indiana Jones: Elsa. Elsa don't move. Elsa: It's ours Indy, yours and mine. Indiana Jones: Elsa don't cross the seal. The knight warned us not to take t...
[Indiana slips and nearly falls into the abyss, but Henry grabs his hand] Professor Henry Jones: Junior, give me your other hand! I can't hold on! Indiana Jones: [reaching for the Grail] I can get it. I can almost reach it, Dad... Professor Henry Jon...
Willard: [voice-over] How many people had I already killed? There were those six that I knew about for sure. Close enough to blow their last breath in my face. But this time, it was an American and an officer. That wasn't supposed to make any differe...
'How To Train your Dragon 2' is an amazing film. I think it's an extraordinary film. The animation in it is fantastic.
I think with a lot of filmmakers, their first film is their best film because they had to think on their feet and solve problems with ingenuity.
It's much easier to make a Superman or Batman film than a Green Lantern film.
We have to look forward and keep filming new films and not get stuck in the past.
The films that I really enjoy now are films that are made by, for wont of a better word, mavericks.
There are a lot of similarities with film and TV, but also a lot of differences, especially in the way they film stuff.
Angel was the first Irish feature film. Neil's first movie and my first movie.
I wanted to make Canadian films, and I ended up making American films.
It's just hard to get an independent film made.
People are making better and better small budge independent films these days.
I'm not a cinephile. My films don't reference films. I'm more interested in rhythm and feeling.
I was totally unknown in the television and film industry in Canada.
I went to college thinking of maybe pursuing a career in film criticism.
I find the most interesting and most daring scripts tend to be for independent films.
I came out of independent film, that's my roots.
The film business has so many twists and turns that it's a miracle any film gets made.
I did not go into the film business to be symbolized as someone else's vision of me.
