I think drug movies free the director to make intense films.
If my films don't show a profit, I know I'm doing something right.
Truth is quite constricting, in a way. You endlessly see at the start of a film 'This is a true story'.
The truth is, unlike TV and film cameras, the theater stage doesn't add 10 pounds.
People see truth in my films. That's what they react to, and that's what they relate to.
Usually, I make such small-budget films that I can't afford to buy weather.
To make a film and to sell it to the distributors you need a name.
The way films establish the order of scenes is very artificial.
I'd never do a film that would hurt anyone's sentiments, be it Indian or not.
In film, you are a totally different person than in the video.
I want all of my films to belong to me.
On film you put all your energies into a single glance.
People go to extraordinary lengths to get films made.
I have always done films with friends rather than strangers.
Saying that all documentaries are the same is like saying all foreign films are the same.
The idea is to do out-of-the-box films that showcase my versatility and talent.
I see wonderful films by Bertolucci, Visconti, and Fellini.
I have nothing against 3D films but I do not need to see them.
Heritage is something martial-arts films don't often talk about.
African film makers are scraping by on a mere pittance.
That incredible bubble and high expectations built at festivals can work against a film.
