When it comes to films, people often don't differentiate between the message of a bad central character and the message of the film itself. They are two separate things.
Acting in 'Command & Conquer 3' called for me to interact with the player and to look directly into the camera, which is a big no no when filming for TV or film.
The audience too should be respected by being presented with a film as they remember it, and for those who have not seen it, as it was intended to be seen. Anything less is a degradation of the film and its audience.
With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
Acting's all about the confidence you exude, especially on film. I mean, nervousness isn't attractive in anyone, but a film camera will seek it out and punish you.
I want to make films and write films, which will happen, I'm just taking a different route right now. I'm a bit of a chameleon with the whole entertainment industry so to speak.
I think film should raise questions, not give answers. I think film should challenge people to reflect, debate and get by themselves to the answer that fits them.
I think, often with Australian films, if an Australian film has been given the seal of approval by an offshore festival or an offshore release, then it does mean a lot to a local audience.
As you can probably tell, I like films and directors that bring a totally unique style to filming action.
I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color film.
I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
The film camera's ability to physically move through space, not zoom through space - every time we have a video camera the movement is through zoom; every time we have a film camera it is a physical movement.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
Every time you work, it's a new film, and generally when you work with auteurs, people that write and direct their films, there's always an originality.
I did this film for less money than it costs to stay in this hotel. We shot it in 20 days. We couldn't screw up takes for fun because we didn't have enough film.
I think technology has advanced so far now that there are some cameras on the market that give film a run for its money. It's all about flexibility in capturing images, and digital or film, it doesn't matter to me.
The nature of the beast is that film is a director's medium. It's not a Tracy Letts play, it's a John Wells film. 'August: Osage County,' as a play, is done. Written. On the shelf. It'll be performed in its entirety for years.
We all know the power of film; we all know there's almost nothing more powerful than to see people on film that look and talk like you, like we do.
I accept all interpretations of my films. The only reality is before the camera. Each film I make is kind of a return to poetry for me, or at least an attempt to create a poem.
In terms of romantic films, all-time romantic films, I really like 'Gone With the Wind.' And I realize I sound so cliched saying that, but there's something so absolutely romantic about it.
I studied science and journalism at the University of Colorado and then got interested in experimental film there and started doing my own films.
