'Ouch' is not independent of social training. One has only to prick a foreigner to appreciate that it is an English word.
My grandfather, as I said, was industrious. He'd had a variety of jobs and decided sometime in the 1940s that he would never work for anyone. He was also a very independent man.
As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are a public expression of those bonds, the intricate set of relationships and histories that we filmmakers depend on to make our most personal work.
When you have a Senate that is 50 Democrats and 49 Republicans and one independent, it's quite obvious that the only way we are going to get something done is if we work together.
So, I am independently well-off and don't have to do anything, but I still do. I write books, lecture around the world, work with scientists and governments.
The Platform for Action gives due emphasis to the fact that women globally have continued to have insufficient access to the resources necessary to achieve economic independence.
Since the German people, with unparalleled heroism, but also at the cost of fearful sacrifices, has waged war against half the world, it is our right and our duty to obtain safety and independence for ourselves at sea.
The war against terrorism should not be used to interfere with an independent, sovereign state. We need to identify concrete terrorist targets and do no harm to civilians.
If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that you become the film, and the film becomes you; you breathe it.
I like the platform to show your art and everything that goes along with that. To show your voice and hopefully find films that are more politically driven, films that maybe inspire.
When you do a film, all you want is to make the best film possible. You don't think about Oscars. But it's really flattering. Please, bring it on!
I have been in the film industry for 35 years, and everyone, including the spot-boys, will vouch for my character.
I am sure I am one of 2,000 film directors in the world that Tarantino admires.
I do like musical films more than big Hollywood films, especially those by Jacques Demi and Vincent Minelli.
I like serious films, the moneymaking blockbusters that don't make any kind of sense and John Carpenter films.
With '10,000,' our aim was to make a film that was entertaining and a roller-coaster ride; it is what it is. It's an adventure film.
After film school, I would write 8 hours a day on film and 8 hours a night on TV, and then sleep once and a while.
Although you have some films that are a real bummer, there's always a film that comes up where it's just heaven.
'The Road' was my first American film, my first film in the snow. The first of everything. So, I was jumping into it, and that was pretty grueling.
I'd rather do theatre and British films than move to L.A. in hopes of getting small roles in American films.
I loved Westerns as a little kid, and I loved horror films.
