The film itself involves a New York City radio storyteller, Gabriel Noone, who strikes up a friendship with one of his fans, an abused 14-year-old teenager who is suffering from AIDS, who does not have much longer to live.
No doubt, the most important thing in my career was my time with Mr. Bergman, with whom I worked in so many films and also in so many stage productions, so it was a continuous working relationship and also a friendship, of course, that lasted for so ...
I said if I made 10 films in my life, I would be very lucky. That's how I meant it. My fear after my first one was whether they would let me make another one, so I had this goal in my head.
My fear is that, as soon as I get married and have kids that I'll kind of do what a lot of people do and suddenly start making, 'Now I'm gonna make films for kids.' I really hope I don't do that.
Exploitation films were famous for taking an issue an exploiting it because they could move much faster than a studio could. If there was any hot topic, they would run out and make a quick movie and make a buck on it, by changing it around and using ...
My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
On 'Workaholics,' I feel like I'm just hanging out with my buddies being filmed, but on 'Mindy,' I'm around professional funny people who act. Guys like Chris Messina, who are the real deal. I watch what they do and put my own spin on it.
We watch so much film, calling up pitch by pitch, count by count in order to spot tendencies. Technology is a big part of how I get ready for a game. What's funny is a lot of the NFL guys say they study the 'Madden' game; that's how they learn to rea...
In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on s...
It's funny to see a film in Spain with a lot of violence because we don't have a lot of violence. Well, of course, we have violence, some murders, some terrorism and a lot of things. We have suffered a dictatorship, and we talk about the civil war co...
It's funny, in some of the interviews I've seen that were done for the film, some people say things like, 'Oh, I was never a very big Jim Woodring fan. I've never thought his work was that great.'
When I first envisioned 'Funny Games' in the mid-1990s, it was my intention to have an American audience watch the movie. It is a reaction to a certain American cinema, its violence, its naivety, the way American cinema toys with human beings. In man...
It was very hard to make 'Funny Face' in Paris because making movies is difficult and making a movie in a city that was glorious, that was unique and surprising, to get it, to put it on film you have to make choices and reject a lot of things so you'...
'Noah' doesn't merely get the story wrong; like all Biblical adaptations, it's bound to do that (although some aspects of the film are out and out ridiculous). It gets the morality of the story wrong, and in the process turns God into Gaia and morali...
I became alienated from this religious upbringing, and started making music. I wanted to be a big star. All those things I saw in the films and on the media took hold of me, and perhaps I thought this was my god: the goal of making money.
Sometimes you're watching a great film actor, and if you stand 10 feet away from them, you're like, 'God, they're terrible. They're not doing anything.' And then you see the close-up, and it's so nuanced, and so much expression is happening. They wer...
In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to w...
I know certainly, when one job draws to a close, that I feel I'm simply never going to work again. No one will ever want me for anything ever again. I think that's a vulnerable moment in every actor's life, and it happens every time you finish a film...
Some people had fathers who were bankers or farmers, my father made films, that's how I saw it. As for the movie stars, they were just around, some of them were friends, others weren't, it was all just a part of my everyday life.
I went through a period when I felt my film characters were having more fun than I was. It might partly explain why I ended up tattooed or doing certain extreme things in my life.
I'm into 'The Walking Dead,' 'Shaun of the Dead,' obviously, and I've seen all the Romero movies. I am a classic zombie queen. And I love the White Walkers on 'Game of Thrones.' Weirdly, it wasn't until pretty late in life that I found my entry point...
