I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was, and that I was fully ready to support it, that Michael's work was wonderful and I imagined that Daniel would feel the same. He listened quietly and re...
I grew up within Italian-American neighborhoods, everybody was coming into the house all the time, kids running around, that sort of stuff, so when I finally got into my own area, so to speak, to make films, I still carried on.
In 2008, I just decided that there will come a time when I am dead and gone, and I only have a body of work to show. That was when I did films like 'Last Lear' and Deepa Mehta's 'Heaven On Earth.' They were serious roles.
All things take time. A lot of my films still run on cable and are in video stores, and there's a whole generation that doesn't know who I am. So, it's a dichotomy. In some people's minds I may never grow up.
I went to California at a perfect time... when many of those people that I had admired so much in films were not working that much. They had free time on their hands to talk to... me, and they liked me because I knew so much about them.
You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. ...
In film, you get to take your time and make it right. In TV, it's all about the schedule. The train is moving and you sometimes just don't have time to make things right, which is painful 'cause you know it could be done better and you just have no c...
When I was growing up, I loved the films where you'd start them and the score might sound really odd at first and really different, and then by the time you finish, you can't imagine it being any other way.
I just enjoyed telling stories. I enjoyed watching films and reading and becoming someone else. I spent a lot of time on my own when I was younger; I enjoyed my own company and still do, so it was a source of escapism.
For me, my taste isn't limited to magical films. Whatever I read and I like, I go up for, and a lot of the time it's an American accent which can be quite trying, but I'm working on it as much as I can.
The truth is, I'd never seen a Cary Grant film. Since then I have watched his stuff and it's astounding, but I don't see any similarity between us. Except for the fact that I'm told he used to wear ladies' underwear, which is something I also do.
Bela Lugosi: They don't want the classic horror films anymore. Today it's all giant bugs. Giant spiders, giant grasshoppers... Who would believe such nonsense?
Edward D. Wood, Jr.: [on phone with Mr. Feldman] Really? Worst film you ever saw. Well, my next one will be better. Hello. Hello.
General Ed Fenech: [On the Germans attending the film premiere] We have all our rotten eggs in one basket. The objective of Operation Kino: blow up the basket.
Films are now made by accountants. They pick a pretty young female or male face out of the air and give them a part - not because they think that person is right for it or is ready for it, but because they think that person will make them money.
I would do a film, make the money, then take off for six months to Europe, India or Russia. My agent told me that I had to stay in town if I ever wanted to build a career, because everyone forgets about you.
But with my last film, Spider it was agony. The money was always disappearing, nobody got paid, it was very difficult - and it's very distracting from the process of making the movie, of course. So I think things have been getting harder and harder.
My son tried to work in films and he ultimately gave it up, he finally couldn't make a living, he couldn't support himself. He worked all the time and he didn't make enough money to have a house, have an apartment.
As a screenwriter, there's so many layers you have to go through in order to tell your story. You have to write the script, get money for the script, shoot it, find distributors, make it into film festivals, all of that just to get to your audience.
I do genre films because I like them or because I need the money. I make a star's salary when I do horror because I can still open a movie in Italy or Spain or Germany.
People in the film industry always want to save for a rainy day. Many early actors died in small houses with no money, and so they are insecure. My advantage is I don't value money that much. It's an easy thing for me to let go.
