With the Internet, kids today learn things quicker than we do and they have everything there is to see, so you have to do more than just remake some old '70s film.
If you're playing a cop in a modern film, you don't have to walk with your spine straight up and bow before a fight. There's a lot of free form of expressing yourself as an actor.
I was very fortunate in having David Fincher, the director come to me. Now I've seen the finished product, I feel that every bit of the nine months we spent on the film was worth it.
I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.
Where people are now in terms of the economic crisis, they're looking at what we think is the bottom, and I think that's when people look to film and to spirituality.
You get three hours' sleep and then you start all over again. Relentless. Pre-production was almost harder than filming. I was all over the city every day. It was really exhausting.
You never compete with the people in your crew; you have your own team. Competition is only with those people whose film is releasing alongside on Friday and never with one's own team.
Before I started to make films, I didn't give much thought to the way the characters were physically positioned in the story world.
While mainstream media is led by profit, ratings and popularist culture and filtered by the current political climate, Alternative Media is lead solely by the convictions of the campaign and film maker.
I recently watched Peter Brook's Lord of the Flies, and it wasn't a favorite film. Then I saw the one that was made in 1990, which in my opinion didn't match up to the original.
I'm an actor, and I don't look at myself as providing comic relief. I have done diverse and dark roles such as a psycho, murderer, and others in films such as 'Don', 'Eklavya' and '3 Idiots.'
I usually go with roles that I find entertaining. But every once in a while, there comes along a film that has an important social message. As actors, we have a certain responsibility toward our audience.
That film 'Memento' creeped me out. I was looking over my back through the whole thing. I get more creeped out than scared and spill popcorn all over the place.
I really hate the creature film convention that says you have to wait until the end to see the monster. One hour and all you've seen is just the tip of the creature's tail.
When you first think of making a monster movie you have to realize that a lot of people may be down on you because there is a big prejudice against such films.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
I'm just ah, actually developing a tv show for HBO, and I'm directing a film this summer, and actually I'm doing some live shows out in western Canada.
I think horror films in the past maybe touched on social themes having to do with whatever era in which they were made, but in the end, it's definitely an escapist form of entertainment.
My films usually start with an idea that I get while walking the streets. For example, I got the idea for 'Guard Dog' when I was walking in the park and I saw a dog barking at a bird.
I always liked film as a teaching tool - a way of getting exposed to ideas that had never been presented to me. It just wasn't on the list of career options where I grew up.
