My mother gave me this book called Feature Films at Used Car Prices by a guy named Rick Schmidt. I gotta credit the guy, cuz he gave me the most practical advice. It empowers you.
My grandmother was an actress too. In the thirties and forties she was under contract with Universal Studios. Crazy credits, lots of them. My dad was also under contract with Universal Studios. And my first film was shot on the same stage they both w...
When you're shooting a film, you really don't get to be a dad, and you don't really get to be a husband. You don't really exist at all. But I do drag my family with me on location whenever I can.
Working with my dad was such a gas. We approached the work in a similar way. We only made two films together when I was an adult, Tucker, and Blown Away, but it was so much fun to play with your parent like that.
When I was 8, my dad asked me if I wanted to audition, just for fun. I did just a little short film, and I liked it. I just kept doing it, and then I started getting bigger auditions for bigger roles.
Whenever I did a good performance, my Dad and my uncles, who were rabid movie fans, took me to the movies. There began my underlying love affair with film.
My folks were busy. My dad was a teacher, and it was during the Second World War, and my mother was working. So I got my stories from films and books. I read a lot, and I love to read to this day.
A lot of young filmmakers bring their movies to my dad because he always gives lots of good editing ideas and notes. He'd be a good film professor.
My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, ...
I got to work with Dustin Hoffman on a film called 'Billy Bathgate.' I got to work with Meryl Streep and Goldie Hawn and Bob Zemeckis on 'Death Becomes Her.' There are still a few actors out there that I would like to work with.
I am profoundly fascinated by cruelty, fear, horror and death. My films show my preoccupation with violence, the pathology of violence.
It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'
There's been a slow death in a way. On the positive side, there are films getting into the Academy Awards that wouldn't have, but on the negative side, financiers are now dominant and making all the decisions. I can't count the ways a director's visi...
In our increasingly secular society, with so many disparate gods and different faiths, superhero films present a unique canvas upon which our shared hopes, dreams and apocalyptic nightmares can be projected and played out.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
People with film careers get a whole onslaught of people they spend 12 hours a day with every three months. It's like speed dating. You've got a fast-track to social intimacy with a whole bunch of people.
I had the privilege of playing an angel on 'Touched by an Angel' for many years - almost two decades, and we would deliver a message on the show. The message was that God loves them, and before filming every scene, we would come together and pray.
I love escaping into film, because everyday life I find quite troublesome. So any excuse to go into a cinema and say goodbye to the world for a couple of hours, or in a book or whatever, is great.
I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.
I'm in total awe of the technique of great film people. Because if you get your emotional life up to perfection by miracle on Take One, you better have a technique to keep doing it again and again and again.
The riskiest thing I have done in my fifties is to do a Polish accent for a new film. I had a great time working on it and two wonderful people to guide me. A dialect coach that I have known for thirty years and a Polish actor.
