In India, there is a psychological problem that movies going to film festivals are boring. It is a problem with exhibitors.
I wanted to make an adult vampire film, not something for children.
I don't care if I get $50 million to do a film.
The picture's over. Now I have to go and put it on film.
I think films are bigger than structure.
I'm very emotional and possessive about all my films.
The lower the cost of the film, the more you can experiment.
It's a nightmare to sit and watch a film that I'm in. There's a horrible inescapability to it.
Films made in the spirit of the past continued to be made.
I stopped making films to look after animals.
You ought to have a perspective when you're making a film.
I made three films with Douglas, two with Charles Boyer.
In the film, I'm not very mobile, like in the space suit.
I'll never be able to really see a film that I'm in.
The U.S., especially Hollywood, is so strong for film production.
I'm much more interested in living specific experiences in films.
I'm anxious to make another film.
I've worked for 27 years nonstop in theater and films. That's a lot of work.
It's nice to have proper film fans respecting and appreciating your work.
Film people are coming into TV, because they can't get any work.
I wanted to work with Bryan Singer because I like his films.
