It's deliberate that a lot of my films have been period pieces.
In film and television we are oftentimes so pampered that the truths are withheld.
Not every Hammer film was perfect.
When I'm acting in a film that I'm not producing, I stay to myself.
I want to do films I can relate to emotionally.
All my brother Eliot and I did as kids was film sketches.
I always loved experimenting in film.
One day, I want to make a PG film.
I suppose the most fun I had was on the second film.
I haven't done as many films as I would have liked.
My focus never wavered; I never accepted the film was not going to be finished.
When you watch my films, you're feeling my heart.
I've always described parts as tattoos. For actors our tattoos are in the form of films.
I regard remaking a film as creating something again.
When a film company is in the red they come to me. Always it is the same.
The actual cheerleaders in our film are all Broadway dancers.
Film for me became how I related to everything else.
I can be intimidating, but not within the confines of a film shoot.
I've done quite a few big American films.
Basically, theater or film is a dangerous industrial environment.
It's never a script that makes me decide to accept a film or not.
