If people ask me, 'For you, what is your most important film?' I have a feeling that they all sort of want me to answer with one of the Bergman films. But I cannot choose.
The woman I'd want to meet the most is Nicole Holofcener. I've loved every single film she's done. I think her films are deeply comedic while being deeply disturbing and dark.
I have a hard time articulating the emotional experience of working on a film. Even when I have meetings on films or discussing them with directors, I find that's my biggest challenge. Different words mean different things to people.
The idea of making a film - a film that I had certainly never seen before - about the slave experience was a huge responsibility. It's a project that requires a wider understanding of the geopolitical nature of the slave trade, of historical and mode...
You would think, in an ideal world, that if you were in a really good film and did a really good job, whether it was a big film or not, you would get hired a lot; but that is not my experience.
Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.
Anyone who's made film and knows about the cinema has a lifelong love affair with the experience. You never stop learning about film.
I did enjoy theater. I actually do prefer making films and television, but it was a learning experience for me, because I got into television at 5 and film at 11, and theater was something I completely bypassed.
The first Superman film took up a huge chunk of our lives, but it was a wonderful time for us. We were young, my daughter was little, we were filming in London for a year, so we became like a close family.
I've made a dozen films in the English language. But then, for love, for my family and friends, I returned to Europe... I annoyingly - looking back - turned down films like 007, 'For Your Eyes Only,' written specially for me.
As Ralph's character begins to discover the political thriller aspect of the film, he falls deeper in love with his wife, so the two run together. That's the beauty of this film. It has fast pace and excitement, but it also has heart and soul.
There's only one test of a great children's book, or a great children's film, and that is this: If it can be read or viewed with pleasure by adults, then it has the chance to be a great children's film, or a great children's book.
I would love to do a really cool romantic comedy, perhaps with Hugh Grant. I think he is brilliant. That's the kind of film I love to go to see. I love 'girls' films'.
When I finish a film, I like to drastically change my appearance. I get sick of looking at the same thing in the mirror for months at a time. So when a film's over, I'll do something like shave my head.
I took a film course in grade ten that made me want to direct, and I've always been making short films and home videos with my friends, so it's definitely something I wanna pursue as well.
This is certainly not to excuse the violence that exists on TV and films and on the Internet. But the truth is that wherever you go in Europe, there are American films and TV shows that are just as popular as at home. And you don't have that sense of...
There was a strange atmosphere on the set because we were filming in this large house, which was used for troubled children. You'd go in and find walls had been burnt down. The building was charged with this history and it stayed with us throughout t...
I went to the University of Toronto to study the history and theory of film, in the back of my mind thinking I'd go to NYU film school and see if I could make a career of it.
I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.
I decided in my late teens that I wanted to be an actor, and my dad and I agreed that films were better. I work alongside my dad, you see. I've thought that films were better since I was a kid.
It's a remake of a film called Inferno Affairs. It's a Hong Kong film, and if we come anywhere close to what they did in the original, we're going to have a hot property on our hands, because Inferno Affairs is a great piece.
