I feel I have a political duty to reach out to the general public. I want to make films that the people want to see. So if the people want to see Johnny Depp or Tom Cruise, then it is really my job to incorporate them into my films.
The people follow what the media say. So if you said that Bruno Dumont is fantastic, it follows that more people would go to see my films. I have no wish to remain on the sidelines. I have no wish to make films that are only seen by bohemians in Lond...
'Control' had to do with my own life a lot, and that's why that seemed to be a film I could be the director of, because I had an emotional attachment to the whole story. And because of that experience, I feel that I can try other films. I didn't set ...
If someone pulls me down, I pull them down, as I don't feel I should live my life in the way other people want me to. If they have a problem with my films, I can rip off their films, be it comedy or their family dramas, which are low on content and h...
I've never had any illusions about being a lead actor in films, because lead actors have to be of a certain kind. Apart from the beauty of looks and figure, which I cannot claim to have, there's just a particular kind of ordinary-Joe quality that a f...
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kin...
In the past, if you did film, you couldn't do stage, and if you did film, you certainly didn't do television. You had to pick what you wanted to be. Now it seems like we can bounce around, not only between genres, but between mediums, and I like that...
I get offered loads of unusual stuff. I just don't do loads because I like staying at home a lot, and I'm a little bit lazy. I don't get that thing of going from film to film that people do. It would drive me nuts, and that level of fame is quite sca...
I always wanted the films to play in malls, and I wanted as many people as possible to see them. I never want them to be marginalized in the kind of rarefied, elitist world. I always have hopes that the films will permeate culture in a big way. A lot...
Seeing the actual, 'The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe', I absolutely loved it. It became one of my favorite films. It was a real Christmas classic and it was one of the most popular films ever in British history. So I th...
I do find violence entertaining, but that doesn't make me a bad person. I grew up watching all these action films when I was a kid. My dad would bring back 'Rambo' and whatever, and we'd watch it together. It's not affected me in any way other than I...
I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering,...
Charles Laughton, who's a great hero of mine, only ever made one film and it happens to be one of the great films ever, which is 'The Night of the Hunter.' It's full of his kind of imagination and creation and how you do things and just in the way he...
I have worked with a lot of really great women directors: Ana Kokkinos; Cate Shortland, who just recently directed a film called 'Lore;' another director, Rachel Perkins - she's an Aboriginal director, and I've worked with her three times now, and sh...
Jacques Doillon wanted me to be in his film, 'La Fille Prodigue,' and there I was, expecting, for some reason, this great bearded man, when a splendid looking red-Indian style man appeared at my door. I said no to his film because I knew that if I sa...
When the Bond films started, people didn't travel quite as much as they do now; a lot of people had never been outside of their own country, and certainly sitting in the cinema and seeing these exotic locations - I mean, that movie did great things f...
As an actress, I never went to film school, and I think if I had gone to film school, I would have started with a great advantage. If you have a strong intent to do anything in life, you can do it, but it always helps to have formal training.
I was doing a play out in L.A. 20-some-odd years ago called 'Goose and Tomtom' by David Rabe, and somebody saw it and the next thing I know I'm doing the table read of the film version of 'Glengarry Glen Ross' with Al Pacino and Jack Lemmon - one of ...
Stage is the ultimate test; I like watching established screen actors on stage to see if they can really do it. But it's great to have a healthy mixture of the two. Film is so technical: there's something very particular about the relationship betwee...
I'd love to do a Michel Gondry film. That would be ideal! I'd love to do an Almodovar film; you know, I think he's very, very talented. I don't care that people say he's pretentious. So what? He's a good director; he can be pretentious.
The less lines, the better. I am the silent film actor, but not in a slapstick sort of way. Film is an image-based medium, so whatever you can say without the words is far more provocative and punctuating. If the lines are not funny or if they don't ...
