For me, when I picture the person I want to end up with, I don't think about what their career is, or what they look like. I picture the feeling I get when I'm with them.
I'm a girls' girl. I have guy friends, but the problem with having guy friends is, like, I always get linked to them, and they'll end up in a slideshow of people I've apparently dated on the Internet.
My parents' parents were regular working-class people. I ended up speaking in a certain way, and one gets sidelined into doing certain parts. I think that is really quite narrow-minded.
I was basically a dork that hit the books and liked to build things and did all of the things that you weren't supposed to do to be popular. But somehow I ended up onstage, playing guitar in front of everybody else.
The thing about talking about human rights is that when one bears in mind the sharp end of it, one does not want to worry too much about semantics.
One senses that all the Bolsheviks, even those who ended up as cold-blooded autocrats, had been on a journey from idealism to something else, and didn't notice - to mix periods - when the Rubicon was crossed.
In Chekhov, everything blends into its opposite, just fractionally, and this is sort of unsettling. And that's why you end up 100 years later asking, 'Is that moment tragic or comic?'
I've done for the most part pretty much what I intended - I ended up doing comedy, writing and painting. I've had a ball. And as I get older, I just become an older kid.
I had older brothers, and I don't think there's anything worse than an older brother. They pretty much told me the end of everything they got to see before I did.
I used to write chronologically when I started, from beginning to end. Eventually I went, 'That's absurd; my heart is in this one scene, therefore I must follow it.'
The most treasured and sacred moments of our lives are those filled with the spirit of love. The greater the measure of our love, the greater is our joy. In the end, the development of such love is the true measure of success in life.
I get a million ideas a day and I don't put too much weight on any one of them. The ones that really stick in my head are the ones I end up doing.
I ended up meeting my manager because my sister was a receptionist at a management company. My manager is actually my same manager that I have today. That's how it started. I worked my way.
We ended up moving out to Texas. We live outside of Austin. We've got a couple horses, we've got three miniature donkeys, we've got four dogs. Miniature donkeys are very warm, loving animals.
I've always been led to believe that the ultimate goal for an author is the movie deal. Now I understand that the movie deal is merely a MEANS TO A MUCH HIGHER END: NAIL POLISH.
All stories I write are compulsive. Anything I've ever written was because I don't have a choice. I write stories because I can't wait to tell it, I can't wait to see how it ends.
The rumors of Frank Sinatra's violence and his ties to organized crime were such that journalists joked in print about me ending up in concrete boots and sleeping with the fishes if I proceeded to write his biography.
I started acting when I was 13 in New York. Worked there for a couple years, then auditioned for a show there that was going to be filming here. Ended up coming out, getting the job and just staying.
I'm in the camp that needs to discover and take risks, sometimes it's with the promise of something special and new, sometimes it's to stay awake, either way it's much more stressful with all the uncertainty but worth the pain in the end.
There are times when you do a play when you are living in the character over a two-and-a-half-hour period or longer, and you come to the end of the night, and you can feel like you were hit by a truck.
When you're a young actor you like to go for characters with a bit of flair, so in many films I ended up playing the weirdos. I can assure you I'm not a psycho or a criminal or a bully.
