I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.
Every role is easy. As an actor it is my job to make my job easy. If I start hyperventilating about my roles, then how will I do it? So, with all my roles, somewhere I feel comfortable about them, and that is why I play them.
The one thing I have that nobody else has or can duplicate is my sound. The sound of my voice. The sound of my life. Others may say similar things but they can’t say them like I do.
All my life, in nameless, indeterminate ways, I'd tried to complete my life with someone else--first my father, then Hugh, even Whit, and I didn't want that anymore. I wanted to belong to myself.
I got my first television at Stanford when I was 20, and I used to watch 'The Dick Van Dyke Show'. He played my father on 'Becker,' and he's still one of my heroes. Along with John Cleese, he's my favourite physical comedian.
My husband is American but Italian. Then I have the Mexicano side. I see both in my kids. My daughter is more Italian - she leans towards pizza - and my son leans more towards guacamole and puts lime in everything.
I demand that my books be judged with utmost severity, by knowledgeable people who know the rules of grammar and of logic, and who will seek beneath the footsteps of my commas the lice of my thought in the head of my style.
When I'm writing a song, it's just me and the songwriters. Then when the song is done, there are publishers that hear it, then people in my management, then my wife and my boys and my friends, and if they're all lovin' it, it's kind of withstanding a...
I have a couple of basses in my office. And I try to be courteous of my co-workers, but sometimes I get carried away and I crank up my amp and I rock out. It's kind of my stress reliever.
If you consider the definition of authenticity, it's saying something and actually doing it. I write my own songs. I made my own videos. I pick my producers. Nothing goes out without my permission. It's all authentic.
I have maintained a low profile throughout my career but have always done things in my own unique way, be it dancing or dressing up. On the dance floor, I had my own unique steps and often had to lead my choreographer.
I'm not a fighter, but in my mind I'm fighting every day. 'What's new? What am I doing?' I'm fighting myself. My soul is samurai. My roots aren't samurai, but my soul is.
No one can tell me what to do on my skateboard. My skateboard is my safe spot. I can learn tricks, I can have fun, I can do whatever I want on my skateboard.
In the midnight We’re all ready for love In the midnight I love to love my love You’re the only one Who can save my heart ……… Who can save my soul…………..
I realize that when I moved out of my father's house I shocked and frightened him because I needed a room of my own, a space of my own to reinvent myself.
I formed my own studio, carried my own deficits, owned one-hundred percent of my negatives, and made a lot of mistakes, but we ended up being the third largest TV studio in Hollywood.
I come here tonight as a sister, blessed with a brother who is my mentor, my protector and my lifelong friend. And I come here as a wife who loves my husband and believes he will be an extraordinary president.
I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
I got nothing. I got my shoes and my pants. I'm staying with a friend. I stop by my mother's every once in a while to get my calls. I don't want to be anywhere anybody can find me.
If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.
I feel like my convictions and my passions come from my very personal experience and the life that I've led. I feel the very naturally tendency to stand up for and use my voice for the things that I know about and the things that I feel passionate ab...