So, I guess the answer to your question is very few people can bring off a novel of the future because it's just so damn hard to make it look like the future.
You either end up on a good, fun show that's successful, or you have that question mark in your future, and you know that you don't know what's going to happen, which is exciting.
People worry that gas prices are high and how they are affecting their pocket book. But they want to know about renewable energy. People are really starting to question things, and that's made people look to the future in a positive way.
I really have learned to live in the moment. I don't question things too much or try to project into the future. That's how life should be.
I have the gift of laughter. I can make people laugh at will. In good times and in bad. And that I don't question. It was a gift from God.
I had a million questions to ask God: but when I met Him, they all fled my mind; and it didn't seem to matter.
Do freshman philosophy classes nowadays debate updated versions of the age-old questions? Like, how could a merciful God allow AIDS, childhood cancers, tsunamis and Dick Cheney?
The more I come to recognize my story's place in God's grander Story, my once-bewildered questions are turning to psalms of thanksgiving at the wonder that I have been included in what He is doing.
We must question the story logic of having an all-knowing all-powerful God, who creates faulty Humans, and then blames them for his own mistakes.
Einstein was a man who could ask immensely simple questions. And what his work showed is that when the answers are simple too, then you can hear God thinking.
I believe any question that man can ask has a reasonable answer-at least an answer that is as consistent with God's existence as it is in opposition to God's existence.
I will never come around to the idea of an anthropomorphic God. I'm also uncomfortable with the word 'God'... I'm agnostic about the answer and I'm agnostic about the question.
In most job interviews, people say they are looking for people skills and emotional intelligence. That's reasonable, but the question is, how do you define what that looks like?
'Nothin' on You' changed my life: I finally feel that I reached the point where I wanna be at. At times I questioned whether it was worth the sacrifice, but now I see it was.
Adult life is dealing with an enormous amount of questions that don't have answers. So I let the mystery settle into my music. I don't deny anything, I don't advocate anything, I just live with it.
There is a point at which everything becomes simple and there is no longer any question of choice, because all you have staked will be lost if you look back. Life's point of no return.
I go to the theater because I need help dealing with my life; I want to see the greatest questions addressed. I need to see actors grappling with things that matter.
We only live once, but once is enough if we do it right. Live your life with class, dignity, and style so that an exclamation, rather than a question mark signifies it!
That's a hard question, because I started skating when I was three, so I don't really remember life before it, and I don't know what it is like not to work hard at something.
When I was young, I had a very clear point of view on things in life, on moral questions. There was a black and white viewpoint on my world. As I've gotten older, I see the grey areas appear.
Science and fiction both begin with similar questions: What if? Why? How does it all work? But they focus on different areas of life on earth.
