I would like to do another piece of fiction dealing with a number of issues: Lesbian parenting, the 1960's, and interracial relationships in the Lesbian and Gay community.
But you cannot expect every writer to dwell on human suffering. I think my books do deal with grave issues. People who say they are too positive probably haven't read them.
One of the issues that I've raised on the Foreign Relations Committee, and I raised it when Secretary Locke came for his confirmation hearing, is, you know, it is in our benefit to develop a workable, positive formula with China.
So it's a much more difficult issue to organize around, because you can't get media at all to make your case. And that's where cases tend to be made politically.
This issue, if not addressed, leaves any President, including George Bush, open to the criticism that they are essentially ignoring the destruction of the nation and I believe that with all my heart.
The one good thing about 'chaos' is that you are so busy dealing with lifes shit, you have no time to think about how petty these'Life Changing Issues' are.
The issue, then, is not, What is the best way to teach? but, What is mathematics really all about?... Controversies about…teaching cannot be resolved without confronting problems about the nature of mathematics.
Back in our apartment, lights out, The Professor emerged from beneath the bed." - from "The Professor Spends the Night," in issue 4 of Literary Orphans
If the massive invasion is not stopped, we are going to be flooded to the extent that we will drift into third world status. For our children and for our grandchildren, we cannot fail on this issue.
The noun phrase straw man, now used as a compound adjective as in 'straw-man device, technique or issue,' was popularized in American culture by 'The Wizard of Oz.'
If that's your definition of the Clinton faction, then I think that that seems to be in ascendancy. That might include a guy like John Edwards, who's just starting this new center in Chapel Hill to deal with issues of poverty and work.
We're taking on Social Security as a property rights issue. We figure that every single American has an absolute property right interest in the fruits of his or her own labor. What I work for should be my property.
Immigration is a volatile issue, but we're in the middle of it now, and probably the worst thing to do is to not do anything. Everybody recognizes the current system is not working the way we want it to work. It has huge flaws to it; need to do somet...
During my work there I came across some very significant issues that I started reporting in December of 2001 to the mid-level management within the FBI.
My so-called 'reservations' and personal comfort zones can't define my work. That's not being professional. I feel that even if an actor is cast for the lead role or for any other part in the film, it is his job to do the film and not create an issue...
To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.
I work because I have issues and questions and feelings and thoughts that I want to have a look at. I'm not in need of, or wanting, particularly, to know what other folk are up to.
My gender has never been an issue or a limitation. I was fortunate enough to be surrounded by strong women growing up, and with them as my role models, I was never limited by the traditional roles women find themselves in.
What practical conclusions may we now draw for our propaganda work among women? The task of this Party Congress must not be to issue detailed practical suggestions, but to draw up general directions for the proletarian women's movement.
I think the personal relationships I established mattered in terms of what I was able to get done. And I did bring women's issues to the center of our foreign policy.
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
