The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
I still haven't quite caught on to the idea of writing without dialogue. I like writing dialogue, and there's nothing wrong with dialogue in movies.
I write poems like some people sing in the bathroom.
I write contemporary fiction, and that is what my readers want to read.
If I waited till I felt like writing, I'd never write at all.
I write about romance and passion to savour love twice, in the moment and in retrospect.
poetry is the tombstone of experience, nothing i write is my own. ~from "the damned
I write in a pretty straightforward way. I kind of sit down at page one and start writing.
I find writing really hard, but then, every author I know finds writing really hard work.
Unless there is a strong sense of place there is no travel writing, but it need not come from topographical description; dialogue can also convey a sense of place. Even so, I insist, the traveler invents the place. Feeling compelled to comment on my ...
This is what I believe to be the progress of a writer. You write 10 things, of which one of them will be great. You then write 11 things, of which two of them will be great. Then you write 12 things, of which four of them will be great. Then you writ...
I don't know where to start," one [writing student] will wail. Start with your childhood, I tell them. Plug your nose and jump in, and write down all your memories as truthfully as you can. Flannery O' Connor said that anyone who has survived childho...
Now I'm writing about contemporary Los Angeles from memory. My process was to hang out, observe, research what I was writing about, and almost immediately go back to my office and write those sections. So it was a very close transfer between observat...
If you are making money writing, you are doing great. If you can support yourself writing, you are a success. I don't care if you're writing textbooks or Pulitzer Prize-winning articles for weighty publications of world renown: If you're writing and ...
I don't write romance. Read it? Yes. Write it? No.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
I love comedy and I would write things to myself as an exercise in writing. I didn't do well for years, and I quit. I started to break down why I was afraid and started to look at people I admired, like Richard Pryor, Eddie Murphy, Freddie Prinze, Ge...
I don't need to write comics for a living. I have movies and TV for that. I write comics for one reason and one reason only: I love comics. I love the form, the structure, the storytelling process, I love everything about it.
I do what I do, and write what I write, without calculating what is worth what and so on. Fortunately, I am not a banker or an accountant. I feel that there is a time when a political statement needs to be made and I make it.
Before I published anything, I dreamed of publication, but I didn't actually write for it. I imagined that writing for an audience was something for fancier people. I aspired, but mostly I wrote for myself. I wrote because it made me happy.
At least I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had. Not to preach to them, but to give it to them if they cared to hear it.
