Since I was a child, I've liked telling stories. Maybe because my father's a director, I grew up loving stories. I'm not good at spinning them at a dinner table because I do go on a bit, but I love writing them, and directing is just a way of editing...
I am thrilled to write 'The Treasure Chest,' and to bring to life not only the childhoods of famous people from history, but also the characters of Maisie and Felix, who I hope you will fall in love with just as I have!
When I wrote 'Neuromancer', I had a list in my head of all the things the future was assumed to be which it would not be in the book I was about to write. In a sense, I intended 'Neuromancer', among other things, to be a critique of all the aspects o...
In film, I was surprised when I first saw the movie 'Drive.' I said, 'Oh, God. It sounds great - I love it. Wow, this could be the soundtrack from 'American Gigolo' or 'Cat People.' But I'm surprised that the director would agree with a composer to w...
I had spent five years not earning a penny, getting rejected. Thank God I had a husband who was supportive and encouraging. But I still said to myself, 'If the Everleighs doesn't sell, I'm finished with writing forever.' I was going to get an office ...
Well, I always say that the two things I was most disastrous at in my life, being a teenager and being a wife, were the two things I really wound up cashing in on when I was writing fluffy magazine pieces.
Other people are talking about writing books about my life, or about some of the things I've done. I find it strange, but I also feel it's my life and my story, and I guess I better be the one to get it on paper the way it actually happened.
It's not very fashionable, but I love life, and I believe that things disappear and reappear and nothing ever solidifies, no matter how middle-class, housebroken, staid, and solitary someone's life seems to be. That, I think, is what I'm writing abou...
I think I told my parents I wanted to be a writer, just so they'd kind of think I had some direction in life. It made it easier to pick out classes at college, like, 'Oh, this is writing classes, that's what I'm doing.'
I decided very early that I wanted to write. But I didn't think of it as a career. I didn't even think of it as a profession... It was the most exciting thing, the most powerful thing, the most wonderful thing to do with my life.
I could have made money this way, and perhaps amused myself writing code. But I knew that at the end of my career, I would look back on years of building walls to divide people, and feel I had spent my life making the world a worse place.
As a member of this court I am not justified in writing my private notions of policy into the Constitution, no matter how deeply I may cherish them or how mischievous I may deem their disregard.
The first four and a half years was me in the studio every day, writing songs for other people. I had jobs, too - eleven jobs. I worked at Kinko's, Fatburger, Subway - I was a sandwich artist - and I was a claims processor at Allstate Insurance.
So when I write characters and situations and relationships, I try to sort of utilize what I know about the world, limited as it is, and what I hear from my friends and see with my relatives.
I never had any doubts about my abilities. I knew I could write. I just had to figure out how to eat while doing this. [ , New York Times, April 19, 1992]
I love writing and can't imagine not being able to do it. I want an easy life and if it had been difficult doing it I wouldn't be doing it. I do admire writers who do it even though it costs them.
I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.
I was a freelancer all through my twenties. I did about one story a month and I wanted to write fiction, so the stories that I would do were precursors to 'Sex and the City.'
I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.
With this first novel, I am just above the foothills, but I see the path to the top, and it is my desire to write compelling stories about everything that I find of interest.
When I began writing, I didn't read any other children's poets... I didn't want to be influenced until I'd found my own voice. Now I read them all.
