When I was younger, I avoided exercise or anything strenuous. I didn't even enjoy walking. As I got older, I spent so much time marking books or sitting at a desk writing that there was no room for exercise - not that I would have bothered anyway.
I have never learned to read or write music so I am not a virtuoso musician like the others you mentioned. I am completely unable to play like them because I never learned classical music, I just developed my own crazy style!
I don't know any other lifestyle. I get up in the morning and I really do feel that the world is my oyster, and I start that way, the same as I would if I were preparing to write a song: put a blank piece of paper up on the piano and you go for it.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
I owe very, very much to Mozart; and if one studies, for instance, the way in which I write for string quartet, then one cannot deny that I have learned this directly from Mozart. And I am proud of it!
I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
Reading. The erotics of reading for me -- its moment of trembling pleasure -- lie in those times when I realise that what I am reading is just what I was about to say. It is a moment of jealousy and disappointment, as if the occasion had been stolen ...
I once had a substitute teacher in my 4th grade class that was wonderful. He said learning was like throwing mud on a wall. Some will stick, and some will fall off. But if you keep throwing the mud on the wall, eventually the whole wall will be cover...
I wanted to write something that made no linear sense. None. Zero. Something that was 87% pure nonsense, 12% pure alcohol, and 3% orange juice, for a chaser. That formula is accurate, give or take 2% for the milk. In my experience, comedy is 2/3rds t...
Not soon, as late as the approach of my ninetieth year, I felt a door opening in me and I entered the clarity of early morning. One after another my former lives were departing, like ships, together with their sorrow. And the countries, cities, garde...
I had thrived in Miss Popham’s class because she was in charge of her own curriculum. She had a wonderful idea and freedom to teach as she wished. I still think hers is the best way to organize a literature class in high school if the goal is to en...
When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when ...
In truly good writing no matter how many times you read it you do not know how it is done. That is beacause there is a mystery in all great writing and that mystery does not dis-sect out. It continues and it is always valid. Each time you re-read you...
You know, my dear, it's only doing you harm to write . After you have been writing strict, rhyming verse for about 10 years it will be time to venture on the free sort. At present it only encourages you to write prose not so good as your ordinary pro...
Some things are hard to write about. After something happens to you, you go to write it down, and either you over dramatize it, or underplay it, exaggerate the wrong parts or ignore the important ones. At any rate, you never write it quite the way yo...
The heart is a repository of emotions--real, imagined, and invented, owned and borrowed, past, present, future--and there in your chest, operating at an average of 80 beats per minute at rest, is a heart that has stories to tell.
People buy pads all the time, because they want to write stuff down. We're never going to get away from paper, ever. People like writing; that's why more people are writing more real thank-you notes now - not just to stand out, but because there's so...
Francie was ten years old when she first found an outlet in writing. What she wrote was of little consequence. What was important was that the attempt to write stories kept her straight on the dividing line between truth and fiction. If she had not f...
Productivity is a relative matter. And it's really insignificant: What is ultimately important is a writer's strongest books. It may be the case that we all must write many books in order to achieve a few lasting ones - just as a young writer or poet...
Writing doesn’t get any easier with time or talent. If writing is easy for you, you’re probably still learning the craft. You haven’t perfected your style or landed upon your “voice.” You haven’t learned to analyze your writing with a cri...
William Miller: Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you? Like "Love Thing," where did you write that and who was it about? Russell Hammond: When ...
