Mike Cameron: I don't know you very well, you know, but I wanted to ask you - how'd you get Diane Court to go out with you? Lloyd Dobler: I called her up. Mike Cameron: But how come it worked? I mean, like, what are you? Lloyd Dobler: I'm Lloyd Doble...
I'm going to build that house with my own hands, from the foundation to the roof. I'm going to do it for us, and I'm going to do it right, so it lasts forever. Can't go raising walls on a shaky foundation. Can't go slapping thatch over rafters so thi...
Landlady: Master! Someone wants to learn Wing Chun. Ip Man: You want to learn Wing Chun? Wong Shun Leung: Maybe. Just checking it out. I don't know what Wing Chun is. Ip Man: Let me give you an introduction. As a matter of fact, Wing Chun is a close ...
Sometimes you want to run away, sometimes you think you do, but you never had a dream like this before and you don't want to ask for more, sometimes you leave a mark before you know the score.
In a building with apartments, of course, you want to make connections. Life is easier that way. There's salt if you don't have salt; you can knock at someone's door, like in any city. But you know, you can hear the others, and you want to sleep, you...
Sometimes I want to party, sometimes I want to fight and sometimes I want to cry.
From the first time I saw you, I've belonged to you completely. I still do. If you want me. -Jace
I always want to wear clothes that my children will one day look back on and say, 'Oh, you looked amazing - why didn't you keep that?' Not, 'Oh my God - I can't believe you wore that.'
If you could smell my smile, you’d nose how bad I want to kiss you. But you can’t, and I don’t.
So you see, I already have everything I want. And what do you get the man who has everything? Why, you get on your knees.
You say that you hope I will be recognized as the best novelist of my generation. I want you to know now and know completely that that would mean to me absolutely nothing.
When I talk to the camera, mate, it's not like I'm talking to the camera, I'm talking to you because I want to whip you around and plunk you right there with me.
Either you write songs or you don't. And if you do write songs like I do, I think there's a natural desire to want to make records.
The way you wield your power is about using it to afford you opportunities that you wouldn't otherwise have. So I'm very creatively ambitious, and I just hope people notice it; that's all I want.
London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
I tell students, 'If you are learning from YouTube I almost don't want to teach you because what you learn from YouTube it takes 10 times as long to unlearn.' They do an approximation of the centre of the note, an approximation of the interpretation,...
I write about emotions - falling in and out of love, finding what you want to do, no matter where you are or who you are. I think that's why people feel connected.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
When you're a kid, you have this feeling like you're indestructible. Your mortality doesn't even occur to you. But as time goes by, you realize, 'I better cut this out or that out if I want to continue to exist.'
François Marin: I didn't asked you what you liked in the class, I want to know what did you learned from it.
I wouldn't want to be a talk show host. That's another awkward compliment people make. 'You should have your own talk show.' And I think, no thank you.