I became a writer when I learnt how to read -- how to listen; how to see, smell, touch, and feel. But not everyone who knows these things, not everyone who writes, or publishes, is a writer. Writing is in the soul.
The longer I live the more convinced I become that one of the greatest honors we can confer on other people is to see them as they are, to recognize not only that they exist, but that they exist in specific ways and have specific realities.
I adore the challenge of creating truly modern clothes, where a woman's personality and sense of self are revealed. I want people to see the dress, but focus on the woman.
I'm not a glamour boy, and I never get the girl. I like to play old people, because there's something to them. Did you ever see anybody under 30 with any real character or expression in his face?
Stay with me to-night; you must see me die. I have long had the taste of death on my tongue, I smell death, and who will stand by my Constanze, if you do not stay?
Every man who takes office in Washington either grows or swells, and when I give a man an office, I watch him carefully to see whether he is growing or swelling.
I think that people have to reward those individuals who are prepared to work across the political aisle. I don't see any other way; if you don't talk to people with whom you disagree, you're never going to solve problems.
Sometimes, as I feel a door or an exit point in my work is closing, I'll try to create an opening so as not to stifle the creative process, which I see as a process that's never-ending.
I think talent is dangerous to have if you take it for granted. If you use it well and put hard work with it together, it's hard to catch that guy. And I think that's what you're seeing right now.
My own image of my work is that I no sooner settle into something than a break occurs. These breaks are always painful and depressing but despite them I see that there's a consistency that holds out, but is hard to define.
All of my scripts are based on other people's novels. Generally, I consider myself as one who writes for theatre. I do not see film work as a continuation of writing for theatre. It is more of an interruption of the writing process.
I still get enormous pleasure and a sense of fulfillment out of writing a book that I'm proud of. I see myself as a bit like a jewel-maker who can sit back and admire his work.
I see the kids and I feel like taking them all away to a safe place to hide until the war stops and the hunger stops and El Cua becomes strong enough to give them the care they deserve.
I remember World War II when there were very few books, very little paper available. For me to walk into a shop or look at a list and see anything that I want, or almost anything, is like a kind of miracle.
I believe we could see a North American Union formed. Why else are our borders with Mexico and Canada being left wide open some six years into a War on Terror?
In Finland, we learned quite a lot from our own civil war. The wounds were visible when I was a boy, but my generation went into the Second World War and it united the Finnish nation, so I do not see any more wounds.
If the Founding Fathers and other patriots who fought during the Revolutionary War could see the United States today, I believe they would be proud of the path that the thirteen colonies, now fifty strong states, have taken since then.
I shall have to go. But-" and here Frodo looked hard at Sam- "if you really care about me, you will have to keep that DEAD secret. See? If you don't, if you even breathe a word of what you've heard here, then I hope Gandalf will turn you into a spott...
A mere wilderness, as you see, even now in December; but in summer a complete nursery of briers, a forest of thistles, a plantation of nettles, without any live stock but goats, that have eaten up all the bark of the trees. Here you see is the pedest...
[Talking in code on a tapped phone] Nicky Santoro: Listen, I gotta meet Clean Face right away, what about the Chez Paris? Nicky Santoro: [subtitles] I gotta meet Charlie the Banker right away at your house, OK? Ace Rothstein: No, you can't, you gotta...
Nino: You paid three-hundred fucking grand for this piece of shit? Bernie Rose: I paid for it - out of my own pocket. This is just the shell; it's the inside that counts, not the outside, right Shannon? Shannon: You are correct, sir. Nino: Fuck that ...
