...it took me a lifetime of glimpses, but now I see you completely - did I tell you you're beautiful? so kind to animals, children and me...
...I got to love solitude - to see the Moon rise and set - I had time to watch it trace the window square across the wall in silent grace...
...there's something magical about a mask, but I have never worn one - I want you to see my pain and know how your love affects me...
All my life I wanted to go to bed with an American, and now I had, and I'm beginning to see why people don't do it more often.
I just want to see you come apart." I wanted to tell her that she was witnessing it now, and in all honesty she'd been watching it happen for weeks.
What trouble have you brought to my doorstep, Beka" she asked. "I don't see where blaming me for things that began months ago will be useful," I replied.
I didn't realize it until now, but I don't really know anything about them, or what kind of people they are, really. You can't see inside a person's heart.
I spend a quarter of every day you. When you set limits outside of that I can't help but see them as arbitrary.
I met my grandfather just before he died, and it was the first time that I had seen Dad with a relative of his. It was interesting to see my own father as a son and the body language and alteration in attitude that comes with that, and it sort of cha...
I was brought up Catholic, and I felt the power of art from a very young age - seeing the brutality of all those images of flayed apostles and tortured saints was a pretty strong introduction.
I see myself at a certain age as not being able to play the kind of parts that would keep me stimulated, and I can't imagine my life ending professionally the moment that I've got to go to the plastic surgeon and have my face rearranged.
The New Age movement looks like a mixed bag. I see much in it that seems good: It's optimistic; it's enthusiastic; it has the capacity for belief. On the debit side, I think one needs to distinguish between belief and credulity.
I used to come down from New Rochelle and go to Radio City. They'd have a floor show and a movie. I'm showing my age, but I saw 'Cat on a Hot Tin Roof' and 'Broken Arrow' with Jimmy Stewart. It was a great way for a kid to see a movie.
I dream of diving in two places where I have not been yet. One is Antarctica, because of its crystal clear waters and amazing fauna, in addition to the ice cathedrals. The other is the Arctic, where I'd like to see the northernmost kelp forests.
I believe in incentivizing people. If you can incentivize people in anything, whether it's in politics; in life; in spirituality; in business; just take care of folks. Incentivize them and all of a sudden it's amazing the difference that you'll see.
There's something very special about seeing history so clearly in front of you through that architecture that you just don't get in the U.S. If I was asked to choose where I'd most like to live, I would always choose London.
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
Beyond racing, I just love the art form of running, of conceiving new ideas like the 50 Marathons in 50 States in 50 Days. It's the ultimate expression of what I love to do, which is run, and travel, and see this great country.
I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows.
I'm either offered window-dressing parts in large movies or little art films no one ever sees. People think the movies I end up doing are my real choices. I do the best things I'm offered.
