I never represented glam. That's the thing, you'll never see me in the front row of a fashion show. I'm uninterested in it. I find it trivial and banal and boring.
A woman in Mexico wanted me to heal her. But I can't heal anybody. I just put my hand on her and said, 'Thank you for seeing the film.'
I like styling girls that don't normally dress in vintage clothes and don't normally wear red lipstick; I like seeing those kind of girls restyled in a retro way.
People don't need to necessarily see me in the jersey to understand who I am and what message I'm trying to get across with the things that I'm marketing.
In Hollywood there's no real material. They would send me stuff, but I hadn't even seen the director. If I don't see the director's eyes, I'm not going. I'm not even going to pack my bags.
I like to stay in touch with the fans via social media a lot. I really get involved through Twitter and Instagram, if anyone wants to see what I'm doing.
I became a sceptic of one way of seeing the world. And I think it is what started me in my awareness that any worldview is superstitious.
Whenever I see a forecast written out to two decimal places, I cannot help but wonder if there is a misunderstanding of the limitations of the data, and an illusion of precision.
I mean it allowed me to do that which was fantastic because we really get to see the character mature and deal with some things that are, that I think as an audience member, really pull us in.
I never liked working on editorial-driven comics. I just didn't see what was the point. They don't pay well enough for me to write other people's ideas.
It is almost a cliche to hear people talking about 'slowing down' but it is true. I have slowed down and through slowing, I see so much more.
You see on 'Britain's Got Talent' and 'X Factor,' they all wear ear plugs. But I could not hear myself when I wore them. So that is where the strong voice came from.
I have deeper journeys to take. Metaphysical journeys to see Christ. Shaman journeys. It's what I have been elected by God to do.
I've been seeing a lot of theatre in New York, and I am sort of terribly jealous of everyone on stage but also really appreciating it in a way that you can't when you're in the middle of it.
I don't like the new trends in horror. All this torture stuff seems really mean-spirited. People have forgotten how to laugh, and I don't see anybody who's using it as allegory.
I don't disagree with seeing a Rubens of a nude body, but I don't believe in a nude body in action. With Rubens, thank goodness, they aren't in action.
It was very hard for me to practice and enjoy my tennis, and I didn't know the why, so I worked with psychologists to try and see what was happening. They pushed me really hard.
Woodstock - I didn't see anybody play, except when I was standing backstage waiting to go on, because it was so muddy. And the weather was so horrible, you literally couldn't get there except by helicopter.
I have a lot to do with the writing, and also the production, but it would be wrong of me to say that I'm the most important member of the band, because everybody is important the way I see it.
Our foreign policy has made a wreck of this planet. I'm always in Africa... And when I go to these places I see American policy written on the walls of oppression everywhere.
The language has got to be fully alive - I can't bear dull, flaccid writing myself and I don't see why any reader should put up with it.
