I'm very soulful. I grew up singing in church. When I sing a song, I like to feel what I'm singing.
I’m not attached to anything. I’m attached to what it feels it's my duty, to do my duty. I think that I will die with the boots on.
In my mind and in my heart, I feel okay. I cannot complain that I haven't lived long enough, but I'd like to live longer.
I always feel like I want to do my career my own way. I never follow anybody's path, what they've done.
I speak from the heart. Certain people follow lyricists and people that put words on a dictionary together, and this and that. I'm more of a rapper that speaks how I feel. I just tell it how it is.
I am not in this world to live up to other people's expectations, nor do I feel that the world must live up to mine.
If I was working nine to five, acting would be my hobby... I always feel like maybe I should do an Open University degree. But I'm never going to.
While I admire the insights of many of the people in the world of computing, I get this cold feeling that I speak a different language.
I always feel like everything I shoot is a student project, and nobody else knows about it. I forget, in the moment, that other people will see it.
If I was to go to sleep before midnight, I would feel weird about myself, like I wasted a day. My most productive hours are between midnight and five.
If I don't feel like writing today or for a few days, I don't. And I don't think about it. It is not an obligation-it is the greatest privilege.
One of the things I loved about my childhood was that I didn't feel like I lost my innocence too young, like some children these days.
I had a feeling about directing Cocoon II: The Return. At first I wasn't too interested because it was a sequel. Then I read the script and was excited by the relationships and its mystic quality.
I became, and remain, my characters' close and intent watcher: their director, never. Their creator I cannot feel that I was, or am.
When I feel off, I read the 'Tao Te Ching' to get my equilibrium right. I started reading it in the eleventh grade.
My purpose is to entertain and please myself. I feel that if I am entertained, then there will be enough other readers who will be entertained, too.
When I do an hour-and-a-half show, if I don't improvise 20 minutes worth of new material each night, I feel I've let myself down.
Somehow I feel a little bit odd in Tiananmen Square because I was a soldier, in a uniform, watching those leaders and tanks, and I was part of them.
I don't really have a metaphor for how I write, but it kinda feels like chipping away at a big dark object that I can't really see.
I don't have to make examples out of players to establish my own place. I don't feel like I have to.
I listen to Emmylou Harris. She's my favorite. I don't know why, but I just feel more creative with her playing.
