I feel squeezed like a lemon - interviewers and people keep turning up unannounced at my office!
It's really easy to project this whole ideology of what being an artiste is, and I'm just not down with intellectualizing it. I just think, if you feel like doing something, then do it.
I feel like by me putting on a couple more pounds will help my game tremendously. Putting on 10-15 pounds will help me stop the run better and be a more dominant pass rusher.
I was very, very shy as a younger girl, just petrified of people. Tennis helped give me an identity and made me feel like somebody.
I feel like a lot of the portrayals of, in particular, younger minority ethnic characters on television, a lot of their dialogue, a lot of their characteristics, a lot of their personality in a writer's eyes, is kind of propelled through their ethnic...
You know when you take the paint off an old canvas and you discover that something's been painted underneath it? That's what I feel like - that part of the old is coming through the new.
I'm one of the highest-paid television people in the world. I feel like I've made a difference in my viewers' lives, that I've been influential.
I feel like if you read something, and it makes you so curious about a topic that you then go read something else, that's exciting.
When you boil down the real facts and statistics of what carbon dioxide is doing to this planet... to not feel like you have to do something... I don't think you're human.
If you can write a character who is attractive but morally reprehensible, then you've got a character. It's got to feel like people I know and it doesn't just become a bag of tricks.
Pretty much my feel toward MCs is, if you really got heart, you got passion, let's get on and do something. I like doing stuff with people that's real.
Pop belonged to more musical people in earlier times, but we've sort of gotten away from that. Now it's software people. I kind of feel like reclaiming it is in order.
When I'm playing a character like Jonathan in Ripley's Game I want to be in the moment when he's feeling pain; this very ordinary person who finds himself in extraordinary circumstances.
I feel like that's so ingrained in so many children that you are so confined and repressed growing up that, anything you do, you have to rebel against it at some point.
For a while now I've had this feeling that there's something that I'm supposed to be doing or something that I'm supposed to contribute. I don't know what that is yet, but it's been plaguing me - like I've missed my calling somehow.
I feel like there is always something trying to pull us back into sleep, that there is this sort of seductive quality in all the hedonistic pleasures that pull on us.
I feel, first of all, very privileged that these people think enough of me that they made me commissioner. And it's almost like, as Yogi Berra said, 'deja vu all over again.'
I feel like whenever you dress for someone else, you probably won't be as comfortable, because that's not what you genuinely want to wear.
I feel like we are reintroducing historical figures, with the explorer Marco Polo and the grandson of Genghis Khan, Kublai Khan, the ruler of the Mongol empire, the trading place that everybody wanted to get involved in.
A teenager usually wants to try to get people to notice him in some way, to feel like someone gives a damn. Me, all that attention, I just wanted to fade into the background. Be invisible. Disappear.
What I like about fairy tales is that they highlight the emotions within a story. The situations aren't real, with falling stars and pirates. But what you do relate to is the emotions that the characters feel.
