It's good to be playing one and a half hour again. In the States we played like an hour and when you got onstage it felt like all of a sudden you are already done your set. But now, it feels like we are touring again.
It frightens me that I can't do anything sensible about it." "Are you scared that you'll wind up with a boring job where you have to see the same people every day and drink instant coffee?" "I'm more scared that I'll forget the feeling I have now." "...
I feel like getting married, or committing suicide, or subscribing to L'Illustration. Something desperate, you know.
I do feel a responsibility because most people like me that are my age or younger, they don't quite make it over to the jazz side. They flirt with it, but they don't quite marry it.
I feel like writing a book there's always a version in your head that's an amazing version, but then you write the version that you can write.
I feel half faded away like some figure in the background of an old picture.
A tour is the most intense, stimulating way to hear music; it's the best form to receive it. There's genuine excitement from people. I feel like we've stepped up a level.
The short story seems like the best of all possible worlds. I do feel it is closer to writing poetry than to writing a novel, with its requirements of concentration and economy.
I just feel like the days of a handful of executives making the decisions for the entirety of the human public have gone on long enough.
When I'm in New York, I just want to walk down the street and feel this thing, like I'm in a movie.
I really hate people who feel their private lives should be paraded, and there are magazines like 'Hello!,' 'OK' and 'Bella' totally devoted to this.
The day I feel like I'm at an office job is the day I'll quit performing in front of a camera.
I want to make films without a single clear message, and films that are as close as possible to what it feels like to be alive. At least to me.
I feel like I've been way overexposed in the press. I'd rather play shows and represent myself in person.
I feel like I'm really honest in my interviews, to a fault. I've lost friends over it. Major friends. And I'm heartbroken about that.
I've been asked, 'What was your big break?' I don't feel like I've had a big break. It's been a slow, slow break.
I could feel the tears brimming and sloshing in me like water in a glass that is unsteady and too full.
Not having gone to drama school, I always feel like a bit of a fraud, but so far it looks as though I've not been found out.
Inside I feel much like a 12-year-old or a 17-year-old who knows big words.
When I'm writing, sometimes it gets to that place where I feel like the piece is writing itself and I'm trying not to get in the way.
I certainly feel as if I've been blessed professionally and personally, but I've still got moves I'd like to make.
