I'm not going to do anything that will damage my voice because my voice is my career and singing is my passion. I was singing in the cot and I'll still be singing when they're nailing down my coffin.
In a story, you must always listen for the voice you cannot hear, the one that has been ignored or silenced. In that crushed voice, there is a strain of truth, as a crushed grape yields a drop of wine.
What you create doesn't have to be perfect....Don't let fear of failure discourage you. Don't let the voice of critics paralyze you—whether that voice comes from the outside or inside
I created the characters from what I read in the script. I decided how I should talk, accent, no accent, my own voice, or a created voice. Then, I visualize what I should look like.
The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.
The hearing aids are very helpful for speech reading. Without the hearing aids, my voice becomes very loud, and I cannot control the quality of my voice.
I think I will always have a connection to young people, to try to bring their voices to the polls, bring their voices wherever they can make a difference.
I need it all: in-depth characterization, fantastic/warped world building, a plot that could out-race Secretariat, and a 'voice.' I need to hear a uniqueness in the author's voice.
I was very bad at projecting my voice. I used to do this Gumby Flower Arranging sketch which involved shouting, and I could never do it right, and at one point my voice went completely.
I raise up my voice-not so I can shout but so that those without a voice can be heard...we cannot succeed when half of us are held back.
I do not separate Christ from God more than a voice from the speaker or a beam from the sun. Christ is the voice of the speaker. He and the Father are the same thing, as the beam and the light, are the same light.
What I like about modelling is that it has given me that opportunity to travel and experience different cultures, work with creative people, and now it's given me a voice, and with that voice hopefully I can do good things with it.
They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.
Magazines and opinions of you and stuff like that, those will change, but your opinion of yourself does not have to based on what other people say. So I just learned that my inner voice has to be louder than their outside voice.
Those old Appalachian singers use a falsetto sometimes. They can change their voices to sound high or low or really scratchy. When you're singing, usually you're trying to express some kind of pain or joy. I think that voice allows me to do a lot mor...
I've spent a lot of time in America since Sept. 11, 2001. Being here, I was noticing that the people, who in the '60s used to voice their opinions about their rights, are much different today. People are afraid to voice opposition to the government i...
At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.
If you have a great love of singing, supported by others' fondness for your voice, then it is worth making every effort, of making every sacrifice, to achieve your goal. A great voice will easily find teachers who are willing to help a struggling you...
I'm just concerned that if I get older, people aren't going to enjoy me as much as when I was younger, because I had a great voice for a little girl, but I mean, my voice can't get any bigger when I'm older.
When I had my first voice lesson I was 15 years old. And I had a really good teacher. This is what made all the difference. A good teacher will teach you the technique, but also how to listen to your voice.
I'm a fan boy when it comes to Michael Buble. He's just so good at 'it'. He's got a voice of this generation, but he's like a time capsule; he's got a voice that could have fit in anywhere over the last hundred years. It's stellar.
