I just think that all of us in this room should have a voice in how the USA is represented. And he don't allow us our voice, that's all I'm saying.
I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice of an angry woman.
It's the face and the body and the thing that we hide inside that can keep us from the world, but my voice is my voice.
El Salvador is a democracy so it's not surprising that there are many voices to be heard here. Yet in my conversations with Salvadorans... I have heard a single voice.
She never wished for the thing what she is experiencing. It is her inner voice that became her enemy.
Objectivity is the subject subjugating the object. That is how you assert yourself. You make yourself the active voice and the object is the passive no-voice.
I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.
Me, Billy Crystal and John Goodman hang out non-stop, and all we do is silly voices. We hang out in a little closet and do voices together.
The voice will guide you-will tell you what to do. In order to do that, you must be quite sensitive with the instrument and accept this daily conversation with your voice.
But as my voice coach keeps saying, if we actually spoke the way they imagine the Elizabethan voice might have been, we wouldn't be able to understand it.
If you can sing, you never lose your voice. If you don't know how to sing, your voice goes away because you sing from your throat.
The American people on the ground need a clearer, stronger, Lyndon B. Johnson-type voice from their president. Obama has that voice. It has to be used.
There are not many intellectuals left of Harold Pinter's stature who dare raise their voices - and with such force - against the menace of U.S. and the unrestricted use of its power. Pinter's voice is an unceasing thunder.
I have always wanted what I have now come to call the voice of personal narrative. That has always been the appealing voice in poetry. It started for me lyrically in Shakespeare's sonnets.
For one thing, I teach my students what my teacher for twenty years, Paul Gavert, told me, 'The voice follows... the voice follows everything about you... who you are.'
On-camera stuff just hit. I decided to do it to supplement my voice-over career, but I ended up falling in love with it, and it actually hit a lot harder than my voice-over career.
Along the way, I've had different advice from different music producers. I've been told to tone it down, that the quiet parts of my voice are appealing and there's harshness to the loud part of my voice.
'Glee' is one of the very few mainstream outlets that is giving a voice to communities of people that don't necessarily have a loud voice, specifically the gay community. It gives a really positive and forward statement.
Quiet that self-sabotaging inner voice that lays blame anywhere besides at the altar of your feet. We are responsible for the quality of our lives.
I can tell you, if you shoot in the rain you're going to have a lot of voice ADR to do after the movie and voice looping, stuff like that.
In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
