The paradox is that I have no love for myself as a human being, but I have immense pride in the music I make, and I believe it has an important place. Others do, too, and the thousands of people with Morrissey tattoos certainly proves something.
Human character is just endlessly fascinating, and there is no character who is one thing any more than any one person is just one thing. As you work on a character, he/she is revealed more and more. That's what I continue to love about the work.
I love studying folklore and legends. The stories that people passed down for a thousand years without any sort of marketing support are obviously saying something appealing about the basic human condition.
Who knows for what we live, and struggle, and die? Wise men write many books, in words too hard to understand. But this, the purpose of our lives, the end of all our struggle, is beyond all human wisdom.
Nothing seems at first sight less important than the outward form of human actions, yet there is nothing upon which men set more store: they grow used to everything except to living in a society which has not their own manners.
Human nerves quickly get accustomed to the most unusual conditions and circumstances and I noticed that quite a number of men actually fell asleep from sheer exhaustion in the trenches, in spite of the roaring of the cannon about us and the whizzing ...
I think human beings have a really broad spectrum of traits, and I almost feel implicated when we say, 'Men are like this, women are like this.' Nobody was telling me, 'Don't get dirty, don't play in the mud, girls don't do that.'
Our national media refuses to report that even the Supreme Court did not say marriage was a human right in all cases nor did it say that the heterosexual definition violated anyone's right or that the heterosexual definition of marriage was unconstit...
I'm honestly kind of scared of horror films. My girlfriend always tries to expose them to me. Being in a scary movie and seeing all the fake blood and stuff definitely takes away from the magic and kind of humanizes scary movies to me now, though.
What we're supposed to do as actors is be able to portray real human beings and emotions. And if you grow up in this bubble of showbiz and you only know people who make movies, you don't really have an understanding of the world outside.
The movies I like to make are very rich and full of passion. Some people see me as an action director, but action is not the only thing in my movies. I always like to show human nature - something deep inside the heart.
We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of ...
By my count, of the more than 600 English-language World War II movies made since 1940, only four have even acknowledged the humanity of the soldiers of Nippon. There may be a few I've missed, but not many.
Addison DeWitt: We all have abnormalities in common. We're a breed apart from the rest of humanity, we theatre folk. We are the original displaced personalities.
Thor: I thought humans were more evolved than this. Nick Fury: Excuse me, did WE come to YOUR planet and blow stuff up?
[thinking Marty is an alien] Sherman Peabody: It's already mutated into human form! Shoot it! Old Man Peabody: [firing shotgun at barn] Take that, you mutated son of a bitch!
Rachael: May I ask you a personal question? Deckard: Sure. Rachael: Have you ever retired a human by mistake? Deckard: No. Rachael: But in your position, that is a risk.
Semantics is about the relation of words to thoughts, but it also about the relation of words to other human concerns. Semantics is about the relation of words to reality - the way that speakers commit themselves to a shared understanding of the trut...
It was a natural process, because when we go to the ring we are human beings, but once you feel the punches and the competition that's when the beast comes out and takes hold of us.
The tubular steel chair is surely rational from technical and constructive points of view. It is light, suitable for mass production, and so on. But steel and chromium surfaces are not satisfactory from the human point of view.
I've always liked to think ahead. Not stupid-far ahead. A hundred years doesn't interest me. But 20 years interests me, and more for what happens to humans as opposed to things.
