I write on a visual canvas, 'seeing' a scene in my thoughts before translating it into language, so I'm a visual junkie.
Sometimes, with directors, you have to take what they say and translate it in your head, into something that makes sense to you, because you're speaking two different languages.
The business of obscuring language is a mask behind which stands the much greater business of plunder.
Ever since the Greeks, we have been drunk with language! We have made a cage with words and shoved our God inside!
We see and hear and otherwise experience very largely as we do because the language habits of our community predispose certain choices of interpretation.
I had decided I wanted to write about food, and I knew the only way to do that is to speak with authority, which meant learning the language and knowing what that experience is like.
'Marielena' was a wonderful experience that so many people still remember today. It challenged me to practice my Spanish. Having been born and raised in Miami, English was very much my dominant language!
Racism always exists cheek by jowl with, inside, and alongside culture and class. As a rule, it is inseparable from them. That is why, for example, food, language and names assume such importance in racial prejudice.
Freedom of expression is not absolute. Countries have laws that define the framework for exercising this right and which, for instance, condemn racist language.
Mythology and history are my passion. I grew up in a religious family and learnt about our scriptures and philosophies. It's the language I'm comfortable with.
When you're around your family, and you have that history and that shared language, you say things you'd be embarrassed to hear quoted back to you later.
There's a lot of things that go on when you're on tour that cannot be controlled. I'm not even talking about myself, but of course there's sexual activity and drugs, fighting and language; it is certainly not a place to raise a family.
I taught high school English for 24 years. I always teach my students to appreciate the beauty of language and to write poetically.
When you're five years old, and you're running a business that people did not think there was room for, getting attention is not a bad thing. Letting it be known by whatever colorful language is necessary is not a bad thing.
Poetry is a special use of language that opens onto the real. The business of the poet is truth telling, which is why in the Celtic tradition no one could be a teacher unless he or she was a poet.
Of all the depressing abuses of language in business, there is none that gets me so incensed as the rampant overuse of the word 'passionate' in company slogans, marketing blurbs, mission statements and on the sides of vans.
I understood that synergistic dance between photographer and object - 'muse,' if you will, 'model,' whatever you call us. It's that silent language of communication, like being psychic with each other.
I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
The Catholic faith never changes. But the language and mode of manifesting this one faith can change according to peoples, times and places.
I have seen how effective language attached to policies that are mainstream and delivered by people who are passionate and effective can change the course of history.
When I left Barcelona, staying in Spain was an important factor in my decision to join Madrid. I did not have to change country or learn a new language, adopt a different sort of lifestyle, and so on.
