Your shyness alone will bring you more emotional and material losses than all of your other negative attributes.
I dress how I feel. I just go off emotion. I can't prepare my outfit a day before. Everything I wear is spontaneous.
If you keep your emotions locked in a box, then when you want to open it one day you'll find that they're gone.
You never really know why you become an actor: it's a visceral thing, an emotional thing.
During the 1960s, I think, people forgot what emotions were supposed to be. And I don't think they've ever remembered.
The knowledge of the past stays with us. To let go is simply to release any images and emotions.
Our school systems have to realize that everybody doesn't learn the same way, and no one learns without some emotional support.
No matter what you're going through, as long as you have some specific emotion, whether it's positive or negative, it is all stuff that you can use on stage.
Most managers have plenty of emotional commitment to give to their jobs. If they can be convinced it’s safe and sensible to give it.
Hard-core results come from igniting the massive power of emotional commitment. Are your people committed?
When you are falling short in vocabulary to explain the emotion in your story.Than you are writing the right story
People are like mugs with different handles. Some can be held by their emotions; others by their logic, passions, desires or dreams
When you waiting to happen what you wish - you should know T.I.M.E Tentatively Ignore Mind's Emotions
Emotions are the colors of the soul; they are spectacular and incredible. When you don't feel, the world becomes dull and colorless.
But, in addition, there is, all through the tragedy, a constant alternation of rises and falls in this tension or in the emotional pitch of the work, a regular sequence of more exciting and less exciting sections.
I usually can find a way to do a character to make it real and work. But sometimes it's a struggle sustaining that, because there's such a level of personal involvement and personal, physical, and emotional distraughtness.
Whenever there's heavy-duty emotional work to be done, they call me. As for playing the completely off-the-wall, sexy, gorgeous lady that I am - no, they don't think of me.
I am not an optimist. I'm a very serious possibilist. It's a new category where we take emotion apart and we just work analytically with the world.
John Currin's exaggerated realism and his twisted women kept me off balance, never knowing if they were sincere or ironic or some new emotion.
Human blood is heavy; he who has shed it cannot run away.
Over a distance of a thousand miles only humanity works, not power.
