I'm not a fan of any genre but am a fan of movies that are intelligent and/or funny. That goes across all genres: a horror movie, a zombie movie, alien invaders, chick flick, or raunchy comedy. If it's well done, I'm a fan.
Whoever makes an attempt on a man's life, on a man's liberty, on a man's honour inspires us with a feeling of horror in every way analogous to that which the believer experiences when he sees his idol profaned.
I grew up doing musicals. I've done so many musicals in my life, I kind of got them out of my system. But, I certainly would be open to them. Rocky Horror Show is a big favorite of mine.
I get scared easily, so I'm not one for just sitting down with a bowl of popcorn and watching horror stories. But, I mean, I'm learning more. Maybe one day I'd like to be able to watch them.
I love going to horror movies - especially when they are fun. I think that they get you in touch with sort of these primal instincts that we all have in the relative safety of the theater.
In college, one of my favorite classes was a six-week class watching horror movies. 'The Bad Seed' was one of them and was the first time I had seen it, and I really fell in love with it.
I feel so fortunate to have been able to work so much, particularly in the horror-thriller genre, but I would love to be able to do something perhaps a little more dramatic or even a romantic comedy.
My parents were dismayed by my love of horror movies as a young girl, then even more dismayed when I kept rooting for Dracula to win instead of Van Helsing.
The human mind is inspired enough when it comes to inventing horrors; it is when it tries to invent a Heaven that it shows itself cloddish.
When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
Please, never tell me what 'horror erotica' is. Real #art is being lost in a bizarre swamp of over-processed, sexually exploitative garbage.
Before 'Lord of the Rings,' some people would have just classed Peter Jackson as a horror director. But there is a mind there.
Good horror offers a sense of an upended, lawless world and that’s appealing to anyone who grew up feeling like an outsider.
Such was a poet and shall be and is -who'll solve the depths of horror to defend a sunbeam's architecture with his life: and carve immortal jungles of despair to hold a mountain's heartbeat in his hand.
Any newspaper, from the first line to the last, is nothing but a web of horrors, I cannot understand how an innocent hand can touch a newspaper without convulsing in disgust.
In terms of 'American Horror Story' and 'Nashville,' what attracted me to those, and 'Friday Night Lights,' for that matter, is that they felt like something innovative and something that we hadn't seen before. As an actor, that's exciting.
[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.
I don't like the new trends in horror. All this torture stuff seems really mean-spirited. People have forgotten how to laugh, and I don't see anybody who's using it as allegory.
I really believe that you could do horror very inexpensively. I don't think it has anything to do with the effects, the effects are not the most important parts.
I beg you be persuaded that no one would be more zealous than myself to establish effectual barriers against the horrors of spiritual tyranny, and every species of religious persecution.
Journalism can never be silent: that is its greatest virtue and its greatest fault. It must speak, and speak immediately, while the echoes of wonder, the claims of triumph and the signs of horror are still in the air.
