When I watch a movie for the first few times I'm usually thinking about where I was in a given scene, who was next to me, what we were doing etc. But after I've gotten through all of this, when I'm really watching the film itself, then I get moved.
When there wasn't a lot of work, I wrote a screenplay, 'What Lies Beneath,' which got noticed and got me more acting jobs. As I got more jobs, I was able to make my own films. That ethos of making my own work has provided me with a lot of opportuniti...
Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to b...
The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, kn...
People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about...
Writing fiction is the 'job' I try to keep at the center of things. The movie stuff has been a wonderful accident, though not entirely bizarre, either, as I have done some work in film before, and even directed a ridiculous, cable-access feature back...
I think of Ray Harryhausen's work - I knew his name before I knew any actor or director's names. His films had an impact on me very early on, probably even more than Disney. I think that's what made me interested in animation: His work.
When we shot 'The Lord of the Rings,' we had special permission to film in wild areas of New Zealand that could be accessed only by helicopter. They would drop us off and we would work all day, and they'd pick us up and take us out again.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater i...
I was a child of World War Two . I saw films of pilots taking off from aircraft carriers and decided that was the only thing I wanted to do. And it had to be flying from sea carriers. Airfields were not enough.
My laboratory,' I said, experimentally, drawing out each syllable. 'Why is it that saying it like that always makes me want to follow it with 'mwoo-hah-hah-hahhhhh'? ' 'You were overexposed to Hammer Films as a child?' - Harry Dresden & Bob the Skull...
Satu hal yang mesti kalian renungkan baik-baik. Sehebat apa pun seorang movie maker, dia pasti pernah dikritik. Coba kalian pikir, film mana yang lolos kritikan? Sutradara sebesar apa pun pernah mendapat kritikan. Karena itulah, mereka bisa menjadi b...
To make a real independent film where the filmmaker is in charge creatively, one must sacrifice personal, financial, and physical well-being.
I wish I’d paid better attention. I didn’t yet think of time as finite. I didn’t fully appreciate the stories she told me until I became adult, and by then I had to make do with snippets pasted together, a film projected on the back of my mind.
Music without the ebb and flow would be like "watching a film with only good guys in it." -attrib Frank Zappa
The cup flew out of my hands and my God was it beautiful. I wish the Planet Earth video crew were there to film it at 100 frames per second so that we could watch it again at super slow motion in all of it’s glory.
But there was an important and essential truth contained in the idea, and the truth was that these things matter, and it’s no good pretending that any relationship has a future if your record collections disagree violently, or if your favorite film...
I wish I had a boyfriend. I wish he lived in the wardrobe on a coat hanger. Whenever I wanted, I could get him out and he'd look at me the way boys do in films, as if I'm beautiful.
Later film shoots’ casting calls would advertise that they’re “fun shoots” and a “good way to get exposure”—but working in entertainment is not entertaining, even though it is not what’s traditionally thought of as “work.” You kno...
It is a quintessential example of the whirling kinetics that drive a Keaton film, in which not just the medium but the human body- the permutations of the sinews, the shock of the limbs -seems infinitely elastic, an unruly instument to be wilded with...
Measuring success in cultural diplomacy - the use of education, creative expression in any form, or people-to-people exchange to increase understanding across regions, cultures, or peoples - is challenging. How does one quantify changes in attitude, ...
