If people take the film and screen it whenever possible for their social and professional networks, we can continue to make a difference. It is one more element we have to use in the ongoing effort to take back our country.
People prefer doing films. That is not the case with me. I don't do theatre because I have to but because it makes me feel alive. I enjoy the whole process of rehearsing, though repetition can make it tedious.
So our films had a lot more to them than entertainment value, and I'm glad that a lot of people recognize that now. People realize now the value of them as educational.
I don't necessarily find superheroes in general, for me, that appealing. I'd much prefer to play, if I was to be cast in a superhero film, I'd prefer to play the villain because there's a reason, there's a motive behind their madness.
I think that one of my favorite movie roles has been a film that I did with Jason Statham that was out last year called 'Safe.' I played the main bad guy in that.
I did do some Shakespeare on film, it's really difficult. It's really interesting, because I was doing a series in Canada called 'Slings and Arrows' and it was about a company based around the Stratford Festival.
I grew up in Europe, and I used to like those very slow-moving European films. I've been contaminated by the American TV culture, and I just want things to move faster now.
I don't want to force my mind to love someone else or adjust with someone whom I never can give my true love. #Life Of Love - Film
I have people around me. I have a semi-permanent crew. If I make a film, they just turn up. They don't even invite themselves. They don't ask if they can come - they just turn up!
Since 'A Dangerous Method,' I've had meetings with everyone from J.J. Abrams to the producers of 'Drive.' And they all have the same thing in common; they say: 'Wow you worked with Cronenberg.' He gave me instant film cred.
Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on ...
The question is - did Richard Attenborough have a right to make 'Gandhi?' And did Danny Boyle have a right to make 'Slumdog Millionaire?' Quite honestly, if they didn't have the right to make these films, I had no right to make 'Elizabeth.'
I've realized I have to be very careful in what I say. I speak my heart out. Such honesty is not appreciated in the film industry. Instead, it is twisted and distorted. A lot of what I say is lost in translation.
I grew up with the television product being old Western serials like Roy Rogers, and John Wayne and Gary Cooper, and many others were my favorites when I was a young person going to films.
'Do the Right Thing' was my first union film. I looked at the rosters, and for the most part, it was white males. Especially the Teamsters. So we had some conversations.
I hate the analyzing thing. People say, 'Why do you think your character did that? I don't know. I'm not an analyst, and they're not in psychotherapy. Unless it's a film where they're in therapy.
I've made some stupid decisions, so I have to be careful. I once said 'no' to a film that was a number-one hit. And 'Date Movie' had the smallest budget of any movie I'd been in, and it went to the top of the box office.
I spent six years touring the world playing Shakespeare, Molire, Shaw, Goldsmith... But I slowly came to realise that the people you are working with are as important as the parts you play, and that there were lots of interesting people working in fi...
Recording a scene with paint rather than film sinks you more deeply into your surroundings. You have to look a little harder and a little longer. And you end up with a memento.
There is a conception about me that I am a playback singer and I sing for albums or for films only, but my roots are in bhajans. Even when I was in school, I used to win competitions for ghazals and bhajans.
My films play only in Bengal, and my audience is the educated middle class in the cities and small towns. They also play in Bombay, Madras and Delhi where there is a Bengali population.
