The process of composing the film score for each movie is completely different. They all have their own personality and their own completely different life, but there's never been a formula. Each time, it's a new thing.
I feel like I'm still learning a lot. I think there's a tendency for people who are just doing their first couple of films that I see now where they seem to be really resentful of the technical limitations that come along with filmmaking.
I think you need to understand games to write them. There's a learning curve, just like there's a learning curve in anything. It's not precisely the same as film or television, but you're using the same muscles.
In the old days, before there was such a thing as film schools, directors learned the camera by watching other directors, and learning from their own dailies, and listening to the cameraman, and seeing what would work. Some of those guys could cut th...
I love my films. I have stacks and stacks of DVDs. I put 'Last of the Mohicans' on the other day with Daniel Day-Lewis. It hurts me to say it because he's a Millwall fan, but I think he's fantastic.
Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.
And doing a film in that period, and having to really celebrate what they wore back then, how they sat and how they spoke. You know, what the etiquette was back then for a lady. All of those things are like putting on a wig and transforming yourself,...
Most of the books and films I love walk a knife edge between romance and cynicism, and I wanted 'One Day' to stay on that line. I wanted it to be moving, but without being manipulative.
I actually got a part in 'The Love Guru', that Mike Myers film. I heard it's awful. I got a Razzie award for it, which I'm quite proud of, but I still haven't seen it. I have no plans to branch out.
I love the idea I can go off with a single camera and a few rolls of film unencumbered... I was not interested in the illusion of reality, I wanted to get close to what was happening.
I'm a tomboy at the end of the day, so anything that causes me to have to run around, fight people, roll in the dirt, hop a fence - I'm all for it. So I really would love to do an action film.
In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
I've never cared for the idea of a career path, or where a film might 'take me.' My love is for acting not money, so I only take on roles that I find challenging, in stories I find interesting.
I'll say this, I'm no stranger to working with a foreign cast, foreign directors, that sort of thing. I love it, because I think that when you have people from different countries, it sort of brings everyone together, it's more of a worldly film.
I love magazines and film critics, so I eat it up. I'm not one of those people who says 'I never read anything.' I generally read all of it.
I do it because I love acting, I love working, and whether it's radio, television, films, theater, I don't care as long as I can get out there and do it.
I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.
The idea of doing a children's film is different, but quite honestly I like doing anything - any genre. I've only made one Western, which was 'Three Amigos,' but I would love to make a serious Western. I'm just wide open.
I really enjoy the consolation when I'm having to cut loose stuff I love, of saying 'Well, at least it will make it onto DVD.' There's a couple of scenes which I liked very much, but couldn't fit them into the film that are on there.
After filming, I can't wait to shake off all that '50s primness. I'll go out to a gig and dance ridiculously. I love to lose myself in music. Just letting go - it's dead important.
I'd love to do films, but I'd feel bad in my gut if I did anything just for the money. I want to wait for something I'm really passionate about, even if I don't work for a year.
