To be honest, I wasn't a sci-fi geek at all. But I do love a good sci-fi film, especially one that can really take you away. And I read some reality-bending novels growing up, like stuff by Vonngeut, so I already had one part my brain open to the unn...
I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred bef...
I see film roles as lovely presents that come along now and again. I feel really lucky and say thank you very much. And if they fly me to L.A., I think, 'God, I must really be doing well.' I've worked with De Niro and Brando and Pacino, and that's ma...
The body lay outside an abandoned, boarded-up theater. The theater had started as a first-run movie house, many years back when the neighborhood had still been fashionable. As the neighborhood began rotting, the theater began showing second-run films...
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really ci...
I absolutely refuse to accept the fact that any country in the world goes into a kind of film-making crisis. What happens is they lose confidence, they lose focus and the young film-makers of any particular generation can very easily get lost in that...
I've done panel shows, which I enjoy, and on those you're recording half-an-hour of TV and sometimes they film for two hours. But with 'Britain's Got Talent,' you're on camera for eight hours, with a large theatre audience watching - and in between y...
I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it ...
I watched a couple of films I was in and thought, 'Those are pretty close to what we wanted them to be. I feel actually weirdly OK with it all. I can still see flaws in what I'm doing, but I think I delivered. I think I improved the film with my pres...
If I'm going to do a big film, I'm very choosy about what I do, because I think I want to continue - in fact I'm sure I want to continue - to stay in the realm of independent films with directors and writers who are just emerging with new ideas and a...
Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a...
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and ...
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, lik...
'Pulp Fiction' was probably one of the first films I ever saw that really kind of took effect on me. I was about four years old - obviously wasn't supposed to be seeing that film; my sister kind of sneaked it out and we got to see it. She's older tha...
You see an absolutely brilliant film later, as an adult, and you walk out thinking about what to have for dinner. Whereas something like Jaws winds up having a huge effect on me. If only my parents had been taking me to Kurosawa films when I was eigh...
Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. ...
No one forces me, or any other writer, to sell a film option on the books. If you don't want to run the risk that the filmmakers may adapt your work in a way you don't like, then you don't sell the option. You know when you sell it that they will hav...
Night was a very different matter. It was dense, thicker than the very walls, and it was empty, so black, so immense that within it you could brush against appalling things and feel roaming and prowling around a strange, mysterious horror.
Cassie was not a screamer! She didn't scream at football games or on rollercoaster rides or at scary horror movies. Not that rollercoaster rides and scary movies didn't make her want to. But she just controlled the urge. Always. So she didn't even re...
How many fears came between us? Earthquakes, diseases, wars where hell rained smoldering pus from skies made of winged death. Horror tore this world asunder. While inside the bleeding smoke and beyond the shredded weeping flesh we memorized tales of ...
It was not a monster that lay sleeping on the white sheets. Nor a faceless horror. Nor even the white bear. It was a man. His hair was golden, glowing bright as a bonfire in the light of the candle. And his features were fair, I suppose, but he was a...
