When I lived in Hong Kong, I felt that Hong Kong is my family.
You can leave Hong Kong, but it will never leave you.
One of my goals is to have a base near mainland China. I think Hong Kong would be a good match for me. I like being in Hong Kong.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
In Hong Kong, the directors are the idea men.
The problem with a lot of Chinese is that they put up divisions between Taiwanese, Hong Kong natives, mainlanders. We are never united. I really hope that the Chinese can be more united.
In mainland China, there are many good theaters - sometimes better than Hong Kong.
In Hong Kong, 'wonton' means swallowing a cloud.
Hong Kong cinema is something you can't duplicate anyway.
There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.
I am classified as an idol in Hong Kong and in Asia.
I was born in Shanghai and moved to Hong Kong the year I was five.
Hong Kong is a good fashion city. The interest is enormous. There's good potential in the Asian market.
If you're too free, you're like the way Hong Kong is now. It's very chaotic.
I became producer so that I could work with persons like him and to rock the world of Hong Kong Cinema a bit.
We watched a lot of Hong Kong action movies in my house when I was growing up.
Hong Kong has created one of the most successful societies on Earth.
When I went to Hong Kong, I knew at once I wanted to write a story set there.
The people of Hong Kong are criticized for only being interested in business, but it's the only thing they've been allowed to do.
We got to jump on, like, trampolines, learn flips, learn karate, kung fu, Hong Kong street fighting.
Hong Kong film audiences are very quiet. It's their culture.
