I think a lot of African-American kids don't have fathers to teach them how to dress, so you end up being taught by pictures in magazine and movies. You see cowboys, Indians, old Hollywood films, Cary Grant. It has an effect on you.
I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.
I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.
I had a friend in high school who badly wanted to make movies and would recruit me as an actor. It was always so much fun. I decided, I'm going to go to Hollywood and make movies, which is a thought I'd never had before.
I've played heavies for years and years and years. I was bald. I came to Hollywood. I did a play about junk. I was a pusher, so I played pushers for years and years and years. I did war movies and things like that.
I don't think Hollywood was trying to do anything with me. In fact, they lost interest pretty quick. I think I got lucky, briefly, in the '90s, and it just so happened that those movies were the opportunities that came my way. Then it just kind of st...
Everybody was trying to put me in action movies and heroic roles, and I wanted to find more complex things. They just didn't suit my taste, so I thought, 'OK, I have to be brave enough to say no.' And for a while, that hurt me immeasurably in the Hol...
Hollywood is a wonderful machine for making big movies. In France, we make smaller and more personal films, but if things keep changing, this will disappear. The industry in Italy is practically gone. Cinecitta now is used mostly by filmmakers from o...
I'm a Hollywood kid, and I know that there are only so many stories. Only so many tales around the campfire that we have to tell. Then we have to regurgitate them. Our grandparents' movies were all remakes of silent films - we forget that, but it's t...
Lloyd Richards: A Hollywood movie star just arrived. Margo Channing: Shucks, and I sent my autograph book to the cleaner.
I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.
To be honest, I probably wouldn't have gone to Hollywood if I hadn't been offered 'Ugly Betty' because I was a wee bit feart. But you have to make yourself frightened. That's what keeps you alive.
I would never put on 20 kilos and mess up my system because a role demands it. Hindi cinema doesn't offer you roles that get you an Oscar, anyway. Tom Hanks can do it in Hollywood; not us.
There's always a slight tension when you sell a book to Hollywood, especially a nonfiction book. The author wants his story told intact; the nonfiction author wants it told accurately.
There are MAYBE 30 years worth of ideas out there... watch for the feature version of ER in about 25 years... Hollywood has become hopelessly chained to the bottom line.
I came across awful characters when I got some kind of status and came to Hollywood. Then you have directors trying to sleep with you, assuming that you will do things because of the way you dress.
Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.
As a comic, it's anti-comedy to be known. I think a lot of comedic actors get lost in this world of Hollywood and all this stuff. They lose what brought them there in the first place. I'm very trepidatious about it.
I have done a lot of work in Hollywood myself. I worked in television for roughly 10 years, from the mid-'80s to mid-'90s. And I was on staff at a couple of shows. I did some feature films, including originals and adaptations.
To be quite honest, I've been very blessed when I've worked with Hollywood. The studios that have purchased my work to be adapted to film have really liked the work and wanted to stay as close as they could to what the book was.
Getting married and then having children just centered me and grounded my values. It was like a whole new world. It started happening in New York with a little play called Cruise Control, where I relaxed, and then I kept getting work in Hollywood til...
