You can take wonderfully talented actors, wonderfully talented writers and producers, and, uh, do a wonderful show!... but if it doesn't hit with the public in two minutes, it's bye-bye.
Buying a matching blouse and skirt from the same store is a crime. A clever mix of chic and cheap hits the jackpot. Know how to mix styles and labels.
Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
Records are one thing, and obviously, without hit songs, you don't have the opportunity to do your shows. But my live show has always been my selling tool.
When we started, we knew the show was going to be hit or miss, and we needed to find a core audience to really make us survive. And I think we've been able to do that.
As the Tories know, the problem with setting yourself up as a shining example for others to follow is that when you get caught out, that proverbial substance really hits the fan.
Words easy to be understood do often hit the mark; when high and learned ones do only pierce the air.
I had an instinct before and maybe now I don't have that instinct as much as knowing what to do, what shots to hit, where to place the ball, things like that.
If I can't hit at a high level, I won't play, and I know there comes a point where my body won't be able to do that.
If you see me in New York, you'll probably see me on my bicycle riding furiously between a city bus and a taxi cab, hitting one of them on the side and yelling at them.
Flying is awful, there's nothing to do when you're up in the air. I bloat up, my skin gets dry, and when we hit turbulence, I'm terrified.
I find that on serialized television it's wiser to hit the ground and look forward, and take the cues from the writers and the events happening, otherwise you just tie yourself in knots.
When you write a high-tech thriller, and then people in the defense establishment start calling you - people I can't name - you feel you've hit a nerve.
You can make a feature that makes millions but only so many people see it. With a hit TV show, every week you'll have 16 million - 20 million people watching you.
I remember hitting Sarah Michelle Gellar with a right hook during my first week on the job. It was awful. They usually pair actors with stunt doubles to avoid things like that.
There's only one Mark McGwire. The man walked over 160 times. Just think. If he walks 60 times, he might hit 100 homers.
I run upright mostly when I see daylight, so if you watch film you'll see I don't get hit in the chest much.
If you can hit your 3- and 5-woods with confidence from the fairway, par 5s become birdie opportunities, and 420-yard par 4s are a lot less scary.
Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a very interesting way.
I can't just only be on reality TV and show everything when it's the fairy princess, fairytale, and then not take my hits when I have to.
I could hit the damn ball. No matter who was throwing. Or where the ball was. I left the bench swinging. I didn't get many walks.
