I'm very motivated by the occasional creative payoff that comes when something goes really well, be it a song, a recording or performance. The payoff is enormous - when you get it. Most of the time, though, I'm filled with self-loathing and general f...
Because our daughters have school and it's just such a hassle going down to New York all the time, we can really only go on the weekends, we kind of... Steve came up here and worked out stuff for the second half of the record.
To actually put the time and energy into an album that would be better than Pull would be a hell of a lot of work, because I took that band really seriously, way more seriously than people took us. If you go back and listen to the records, you can he...
When Stevie and I joined the band, we were in the midst of breaking up, as were John and Christine. By the time Rumours was being recorded, things got worse in terms of psychology and drug use. It was a large exercise in denial - in order for me to g...
You realise that having a number one record and being loved and adored isn't the most important thing in the world. But at the same time, I don't have a problem with it. What I'm trying to say is, I'm not a reluctant pop star.
You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
The groups I liked, you really looked forward to their albums and you rushed to get them the first day, because you knew it was going to be different than what they did before. The records told you what that group was into at that time.
Sometimes in the past when I was going to perform a piece again I would listen to old recordings and try to reproduce the material. This time I realized that carrying around old information, trying to get everything in, and still be in the moment jus...
First off, I don't want anyone to think I'm this huge thing in Japan. Every group from here that's made any records over any length of time - even indie bands - have a Cheap Trick effect in Japan.
To do an extreme metal record is something that is well within my capacity as a musician to write stuff out of the box, write stuff that's probably more extreme than the band I'm in at the present time, and it's something that needs to come out of me...
As far as favorite 'overall package' record of all time, I'd have to say 'My Girl' by The Temptations. I like everything about it, not only the composition - but the arrangement, the production, the lead vocals, the background vocals, the horns, the ...
I served at a time when we had a strong economy, when we had deficits that we would die for today. I was able to propose a balanced budget, not over ten years, but over five years. I'm proud of that record.
There was a time when I was - after my very first record from Nashville, I thought I might not be one of those who actually really makes it, and I may end up back in Canada, just playing clubs. And that might - this might have just been it.
I have done a bit of recording and the songs are available on iTunes, and I've got some nice comments. It's something I enjoy doing, but I'm not looking for a singing career any time soon. As long as one person gets enjoyment out of it, I'm happy to ...
Joel: [on tape recording] And the whole thing with the hair - it's all bullshit. Joel: I really like your hair. Clementine: Thank you.
Dick: I guess it looks as if you're reorganizing your records. What is this though? Chronological? Rob: No... Dick: Not alphabetical... Rob: Nope... Dick: What? Rob: Autobiographical. Dick: No fucking way.
[first lines] Doug Billings: [on recording] Hey, you've reached Doug. Sorry I missed your call. Please leave a name and number and I'll get back to you.
[in the record studio, Billy breaks off singing "Christmas Is All Around"] Billy Mack: This is shit, isn't it? Joe: [gleefully] Yep, solid gold shit, maestro.
[Billy's record makes #1 at Christmas; he gets a phone call] Billy Mack: Hello? Elton! Of course. Of, of course! Send an embarrassingly big car and I'll be there!
Leonard Shelby: Memory can change the shape of a room; it can change the color of a car. And memories can be distorted. They're just an interpretation, they're not a record, and they're irrelevant if you have the facts.
Annie Wilkes: MISERY IS ALIVE, MISERY IS ALIVE! OH, This whole house is going to be full of romance, OOOH, I AM GOING TO PUT ON MY LIBERACE RECORDS!
